A Study On The Sense Of Childish Beauty In The Early Flying Images Of Chinese Buddhist Art

The image of flying sky in early China,with its unique artistic charm,provides a typical example of childish aesthetic feeling.Therefore,this paper studies from the external combination style and the internal image expression,and takes the connotation behind the sense of beauty in the early flying sky as the main research point of this paper.In this paper,the analysis methods of emotion and formal language,religious color symbol and color psychology are studied by consulting historical records and interpreting the existing image intervention analysis.This paper is divided into four chapters.The first chapter summarizes the basic process of the foreign communication of Feitian image.The sense of childish beauty derived from China is the combination of foreign culture and native culture.Through re-creation,it forms a unique image of the early flying sky in China.Chapter two analyzes the reasons for the appearance of childish beauty in the image of flying sky in the early period of China.The third chapter analyzes the unique style of the early Feitian childish aesthetic sense and the religious meaning of its inner happy emotion.Chapter 4th analyzes the significance of the original expression form of the early flying sky image to the contemporary art style,and the importance of the free and pure emotion essence behind this form.Based on the clue of the connotation behind the appearance of childish beauty in the early flying sky,the paper deepens and expands continuously,and finally probes into the importance of the connotation behind the sense of childish beauty and its influence on the spiritual reflection presented by contemporary works of art.