The Common Way To The Orient

With the popularization of the image technology and the leap of science and technology,Chinese and Western culture,especially in the field of art in such a big background of the gradual integration,tend to exchange and complementary process.Information explosion,the rapid passage of time,the space is gradually showing a multi-dimensional form.This paper proposes a "space paradigm","paradigm" is the first word of American scientist Thomas Kuhn in the <<structure of the scientific revolution>>,refers to a scientific field of a statement or conclusions invariably consistency,including laws,rules,tools,and the theorem of operation the concept of.Before the paradigm theory came out,science can only be regarded as the former paradigm.Once the paradigm theory came into being,the science entered into the routine.So,the two paradigms of time and space,which are relatively isolated,can reach a consensus at a certain time? Although the two meanings have a corresponding argument in Lessing "Laocoon" in a book called "poetry and boundaries" poem is a kind of language art,represents a plot of the flow of time is the image paradigm;painting art,represents a global coexistence space paradigm,this paper holds that it is both two yuan of the independent state of differentiation.But in twentieth Century along with the development of scientific theory,Einstein's theory of relativity that time is relative,not absolute,the substance of the universe can be transformed into each other,there is instability and complexity,breaking the "absolute space and boundaries" concept.In the contemporary society of mechanical reproduction,demanding image efficiency and social narrative,so at the same time images in the performance space also try to break the shackles,trying to make a story narrative,artists are to change the traditional view of the experience of the image,this attempt can be traced back to ancient Egypt,to nineteenth Century early romanticism and Impressionism,this trend is more obvious,twentieth Century is also influenced by Post Impressionism Cubism,that appeared after the small school,such as Krim and Egon Schiller as the representative of the Vienna secession,Chagall,with Modigliani as the representative of the Paris school are carried out such attempts.In view of this image,after a certain "escape" can break through the traditional,which reflects the significance of creation,the artist's interpretation scheme of artists and their works in the historical context.This article takes Egon,an important painter in the twentieth Century,as the breakthrough point and clue,and uses the methods of graphic analysis,comparative study,interdisciplinary,and other methods to discuss the transformation of the eastern and Western space paradigm and the inference of the transformation of the East and the West in the East and West of the world.The image of contemporary art is dialogue and blend in the higher level,this will produce a total of about Chinese and visual art to a certain extent,and Chinese art thinking a continuity,thus breaking the China of Western art from the current situation,to break the domestic western modern art blindly worship that brings feasibility for the blend of Chinese and Western art.