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A Study On The Aesthetic Isomorphism Of Yangshao Pottery Decoration And Chinese Modern Painting Art

Posted on:2018-02-20Degree:MasterType:Thesis
Country:ChinaCandidate:J BaiFull Text:PDF
GTID:2415330515466436Subject:Art theory
Abstract/Summary:PDF Full Text Request
As a unique art form of primitive art in China,Yangshao pottery art has rich and various decorative forms,and it's finely decoration is full of rhythm and rhyme,which reflects the unique aesthetic view of Yangshao ancestors.After thousands of years,the aesthetic consciousness is isomorphic to modern Chinese painting art.This paper expounds reasons for the existence of aesthetic isomorphism between the two art forms in the introduction from the following three aspects.One is the return of modern art of primitive art,the second is human aesthetic cognition authenticity and the third is the regularity of aesthetic activities.At the same time,this paper further expounds the multiple meanings of aesthetic isomorphism.In the clue of the aesthetic,this paper attempts to analyze the aesthetic generality of two different times,cultural backgrounds and art forms.Starting from aesthetic characteristics,the isomorphism between the aesthetic form of representation and the aesthetic connotation of consciousness is mainly explored in this article.Aesthetic features of Yangshao pottery decoration and Chinese modern painting art are briefly summarized in the first chapter.With the Yangshao pottery decoration as the main target,this chapter mainly discusses the formal beauty from the evolution and forms of decorative patterns,and the aesthetic connotation ofeconomic form and religion.Then,this chapter also makes a brief definition and overview of Chinese modern painting art,and probes into the aesthetic connotation of Chinese modern painting art from the cultural background.The second chapter is the summary of the same form of representation.The isomorphism between Yangshao pottery decoration and modern Chinese painting art is specifically analyzed from the composition,shape and color.The third chapter explores the isomorphism of aesthetic connotation from the perspective of abstract consciousness,and then mainly analyzes and demonstrates the difference from aesthetic feeling,aesthetic taste and sense of worth.In the fourth chapter,the contemporary significance of the aesthetic isomorphism between the two artistic forms is explored.Simple elaboration of three aspects,which include traditional culture,aesthetic value is conducted in this chapter.
Keywords/Search Tags:Yangshao culture, Decoration, Chinese modern painting art, Isomorphism, Aesthetics
PDF Full Text Request
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