As one of the four ancient civilizations,China has a history of more than 5,000 years.Social development has left an extremely valuable asset for future generations.With the enhancement of the awareness of the protection of traditional culture,the types of intangible cultural heritage projects have gradually increased and the forms have become more diverse.These are the crystallization of the wisdom of the working people,the important link to the national sentiment and the powerful force to maintain the country’s soft power.As a kind of weaving in the intangible cultural heritage,“Tubu” is one of the oldest traditional handicraft techniques in China.It belongs to the “clothing” in the “clothing,food,housing and transportation” and has profound research value.This article takes the “original village soil cloth” of Zanhuang County,Shijiazhuang City,Hebei Province as the starting point,and deeply studies the local soil cloth production,from the self-production and sales of the cotton base,shrinking and dyeing the line to the final textile fabric.Feel the changes in life brought about by the establishment of rural cooperatives.The pattern pattern of the soil cloth itself is summarized.The principle of plane composition,design aesthetics,decorative psychology and so on are the theoretical fulcrums.A complete visual system of geometric figures is developed,which fully shows that when the cotton thread is shuttled into cloth,it is one after another.The simple beauty brought.In this paper,six typical earthen cloth patterns are selected.By carefully scrutinizing the texture weave,the abstract outline of the patterns is carried out.At first,the pattern was refined to 24 kinds of graphics,and the second was refined to 12 kinds of graphics and finally refined to 6 kinds of graphics,which became a geometric induction process from simple to simple.All the extracted graphics follow the two-way continuous and quadrilateral continuous design rules,and the bones are divided to form the final design pattern by using symmetry,mirroring,rotation and other changes between points,lines and surfaces.Each time the extracted geometry can be applied to the decoration of daily necessities to form a minimalist effect.Through the redesign of geometric figures,we create an innovative visual and orderly feeling for the public.At the same time,it can adapt the design aesthetics between traditional and modern,and use the flat visual effect to show the traditional earthen cloth texture,so that it can create the artistic feeling of “not being soiled”.The most profound implication of this study is to show that the texture of the original earthen cloth has a different aesthetic in contemporary times through the sense of plane and visualization.It is intended to emphasize the deep concern of the traditional Chinese civilization,and to innovate and use it for the present.Powerful inheritance of excellent traditional craftsmanship,leaving more valuable cultural memories for future generations.At the same time,it also triggered the society’s concern for the rural surplus labor force and the left-behind women and the elderly,thus enhancing their social presence. |