The Evolution Of The Image Of "Visitor" In The History Of Modern And Contemporary Chinese Literature

This article mainly expounds a series of typical "visitor" images.This kind of image begins with Lu Xun's writing and many subsequent works are also reflected.The author tries to reveal the image of "visitors" by writers in different historical stages through historical combing.Different writing.The full text is divided into five parts: introduction,the image of "visitor" in the history of modern Chinese literature,the image of "visitor" in the history of contemporary Chinese literature,the image of "watching guests" and its literary history significance and conclusion.As an important literary image,the image of "visitor" is the first to appear in modern literary works and the reader's line of sight.However,in the course of Chinese historical development,it has always been a social image.This image is replaced in the dynasty,the times are changing,etc.The influence of the factors has not been interrupted,and it can be seen that such images have a long history.Since the emergence of the "visitor" image in the 20 th century to the history of contemporary literature,the changes and developments of the times have prompted the image of "watchers" to change in terms of ideology and behavior.Different social contexts have created the same "visitor" image,from the ignorant villagers in Lu Xun's writings,to the neighborhood neighbors in Xiao Hong's writings,to the left-wing writers' bottom-level survivors after the fall of the May Fourth Movement.These people are in the old society.Under pressure,it grows into a social malignant tumor and this evil has been immersed in the blood and dissolved in the bone marrow.Some of them have accepted the new environment on the outside but the inner psychology is still trapped by the cage.They are insensitive,ignorant and ignorant,and contain the writer's tragedy of life.Deep understanding.As a continuation of modern literature,the "visitor" image in contemporary literature presents a different attitude from modern literature,and people's ideology and mentality have changed.The contemporary "watchers" are not limited to watching the fun and having fun.Their status in the incident has also changed.It is no longer a marginal onlooker.It has become the initiator of the event or one of the elements that affect the development of the event..The writers who write the image of "watching customers" in contemporary times include Yu Hua's "Brothers" and "Friends",etc.;Mo Yan's "Things of the Thumb","Sandalwood Punishment",etc.;Bi Feiyu's "Plain","Maize",etc.;Ge Fei's "Spring to the South" "The Banner of Desire" and so on,the "watchers" in his works are no longer just group images,but also individuals.In the end,the author sorts out the rhythmic characteristics of the "visitor" image in the history of modern and contemporary literature,and separately analyzes the "visitor" image and its meaning.