Ethnological Analysis Of “yaba?ank?g(?)im”

Located in the north-central part of Chifeng City,Inner Mongolia Autonomous Region,Deresü Village is a Mongolian-Chinese mixed-race village belonging to the Ongni?ud Banner." yaba?ank?g(?)im " is a folk song and dance popular in the local area,also known as Mongolian Yangge.It is a comprehensive folk art culture that combines singing,singing,dancing,musical instruments and rap with Mongolian traditional songs and dances as the main content.The local people not only regard it as a form of entertainment,but also regard it as a symbol of their own village culture.In 2016," Mongolian Yangge was selected into the list of intangible cultural heritage of Inner Mongolia Autonomous Region." yaba?ank?g(?)im "is not only a witness to the mutual memory of the Mongolian and Han nationalities,but also an important carrier for inheriting the excellent traditional culture of Ongni?ud Banner,maintaining the social relations of Ongni?ud and expressing the feelings of the people of Ongni?ud Banner.This article takes the German and Japanese Susie as the field point,and takes " yaba?ank?g(?)im " as the research object.From the perspective of anthropological ethnology,using the combination of field investigation and oral history," yaba?ank?g(?)im " Systematic interpretation and analysis.This paper is mainly composed of three parts: introduction,body and conclusion.The introduction part mainly summarizes the research purpose,the significance of the topic,the research methods,the framework of the thesis and the study of dance in anthropological ethnology at home and abroad.The text consists of the first,second,third and fourth chapters.The first chapter mainly gives a brief overview of the natural environment and human environment formed by the origin of Ongni?ud Special Department,Ongni?ud Banner and Deresü,historical changes,social changes,and " yaba?ank?g(?)im ".The second chapter,combined with field investigation and oral research,traces the origin of " yaba?ank?g(?)im " and introduces the development of " yaba?ank?g(?)im " in various historical periods.The third chapter is described from the preparatory stage,the performance process and the ending stage of " yaba?ank?g(?)im ".Through the description of the decoration,movement and lyrics in the performance of " yaba?ank?g(?)im ",the paper analyzes the similarities and differences between the local Han nationality and the local cultural characteristics.On the basis of the first three chapters,the fourth chapter analyzes the cultural characteristics and social and cultural functions of " yaba?ank?g(?)im " using the anthropological ethnological function theory.It explains the " yaba?ank?g(?)im " with historical memory function,cultural identity aggregation function,aesthetic pleasure function and celebration entertainment function.The article also explores and elaborates on the reasons why " yaba?ank?g(?)im " has survived to this day.The main points of this article:First of all,the formation of " yaba?ank?g(?)im " is closely related to the natural environment and production and lifestyle of its local area.This kind of regional folk art culture phenomenon is one of the manifestations of cultural diversity.Secondly," yaba?ank?g(?)im " is a unique cultural phenomenon that combines Mongolian folklore activities with the characteristics of Han nationality yangko.And it plays an important social and cultural function in the social life of the local Mongolian and Han nationalities.The innovation of this paper lies in the lack of special research on " yaba?ank?g(?)im " in the study of folk dance culture.Therefore,the research in this paper can fill the gaps in the academic community's lack of research and attention on this cultural phenomenon,and also provide a reference case for the related research of anthropological ethnology.