The Application Of Guizi Schema In Thecreation Of Ceramic Sculpture In Xinjiangbunsen’s Story Painting As An Example

This paper briefly sorts out the historical background,environmental factors and distribution of the Kucha Grottoes in Xinjiang,and summarizes the performance characteristics,styles and materials used in the Xinjiang Kuzi pattern.Through the above analysis,and comparing with the molding techniques and materials related to contemporary ceramics,the similarity characteristics of Xinjiang Kuoz statue and inland ceramic statues are expounded.It also gives a brief description of the development of traditional ceramic statues in different periods in China,and can draw different characteristics of styles in different periods.There are many kinds of themes and murals in the Kucha Grottoes in Xinjiang,so this article mainly explains the murals in the creative part.Through the study of Xinjiang’s Kucha style and language,the characters,decorative techniques and storylines of the mural paintings are used in the creation of ceramic sculptures.In the murals,the classical story paintings in the grottoes of the caves are briefly expounded.The different decorative patterns and decorative techniques of the storytelling of the Bunsen are listed.Combined with the creation of the ceramic sculptures,the application of the patterns in the grottoes is specified.Through the study of the Xinjiang Kucha pattern,tapping its unique cultural characteristics will help more people to understand its cultural connotation,cultural spirit,cultural context and so on.In modern ceramic sculptures,the actual value of the works is often achieved by combining new themes,new techniques,and new materials around the development of the times.This paper mainly finds and discovers the value and significance of Xinjiang Turtle statues through the combination of creative practice and theoretical knowledge.