The Exploration Of Contemp-orary Chinese Ink Figure Painting Combined With Elements Of Modern Composition

It is commonly known that Chinese ink figure is an important part of traditional Chinese painting,and it is also one of the most important existing ways of Chinese painting at present.Nowadays,the development of ink figure has been over a thousand years,during which it is developed under the mode of unification of inheritance and extension.In today's multi-cultural social environment,the extension of contemporary ink figure painting completely makes its artistic creation present a new look.Undoubtedly,modern composition is the most important form of ink figure painting nowadays.Modern composition,on the one hand,plays a decisive role in the overall effect and form of ink figure painting through general rules.On the other hand,it provides great help for the visual and spiritual experience that the emotions expressed in the picture presented to the viewers.While pursuing the aesthetic level of traditional Chinese painting,it can also help better understand the essence of traditional Chinese aesthetics by combining it with modern western composition.For ink figure painting,a more comprehensive and systematic understanding and grasp of the basic law of modern composition will bring us more surprises and harvest in its future development.By sorting out and analyzing the more influential works today,and combining with their own creative experience,this paper explores the combination of current ink figure painting and modern constitutive art,searches for the formal language of ink figure painting in the new era,and summarizes the creative law and aesthetic pursuit of contemporary ink figure painting.The first part of this paper defines the concept of "contemporary ink figure painting",and the second part outlines the historical evolution of "ink figure painting" and focuses on the Ming and Qing Dynasties.The third part analyzes the specific combination of contemporary ink painting characters and modern composition.The fourth part,combined with my own experience,analyzes the current situation and trend of contemporary ink figure painting.