Zhou Xingchi's Film Research In Deconstruction

As one of the iconic characters in the Chinese film world,Zhou Xingchi also shows the characteristics of rebellion in his films,but after careful analysis,it can be found that his films often contain internal regression in the surface rebellion.Similar to Zhou Xingchi's film,deconstructionism is a rebellious thought.It is not a complete destruction and negation of traditional issues,but a new interpretation based on the original.Therefore,this paper studies Zhou Xingchi's film from the perspective of deconstructionism.Therefore,the first chapter focuses on Derrida to summarize the formation of deconstruction,focusing on the analysis of Derrida's core idea of "extension",and summarizes the characteristics of deconstruction.The second chapter summarizes the reasons for the emergence of deconstruction in Zhou Xingchi's films as the social background of Hong Kong's colonial history and Zhou Xingchi's single-parent family.Chapter three analyses the appearance of deconstructionism in Zhou Xing's movies: anti-center,anti-authority and free creation without center;anti-rationality and anti-tradition,which is presented as a performance with the language style of "Wulitou" and breaking away from the constraints of the theme;anti-dualism,showing that tragedy and comedy coexist differently in his movies;because deconstructionism is the main structure.The sublation of righteousness,so deconstructionism is not complete destruction and denial,but usually accompanied by reconstruction.Therefore,Chapter IV of this paper attempts to dig deeper into Zhou Xingchi's film deconstruction in the reconstruction model.Deconstruction is a way of analyzing problems.It is different from the post-modernist model analysis of Zhou Xingchi's films.After analyzing the appearance of deconstructionism in Zhou Xingchi's films,this paper attempts to explore more comprehensively the ways of reconstruction hidden under the deconstructive appearance,enrich the application of deconstructionism in films,and provide a new way of interpreting films.Through this way of thinking,we can improve the audience's understanding of its film style,avoid analyzing it from a single angle,and in the future we can interpret the film from a pluralistic perspective,so as to understand the connotation of various films more deeply.