A Study Of Yu Xiuhua's Poetic Art

In the study of Yu Xiuhua,the academic circles mostly focus on the phenomenon of Yu Xiuhua.Few researchers regard the text of Yu Xiuhua's poetry as the research point.Based on the poems in three poetry collections,Moonlight on the Left Hand,Rocking World and We Love and Forget,and with the poets' poems published on his blog and Wechat Public as reference,this paper makes an in-depth study of Yu Xiuhua's poetry art in four chapters.The first three chapters belong to the routine study of poetry: the first chapter is the background of poetry creation,that is,Yu Xiuhua's life experience;the second and third chapters are the basic study of poetry,that is,imagery,language and so on;the fourth chapter is the study of the unique paradigm in Yu Xiuhua's poetry: the unique construction of time and space in Yu Xiuhua's poetry.The first chapter mainly looks at Yu Xiuhua's life experience from his poetry creation.Because of Yu Xiuhua's unique life experience,her poetry creation experience reflects her life experience appropriately,so Yu Xiuhua's poetry creation can be mapped with her life experience,roughly divided into four stages: the first stage: from 1985 to 2009,19-year-old Yu Xiuhua married according to her parents' orders,the same year she wrote the first poem in her life,and in 2010,she was in it.Publishing the first blog article on the blog,the poet spent fifteen years accumulating,which is the beginning stage of Yu Xiuhua's poetry creation and the accumulation stage of her dissatisfaction with marriage.The second stage: from 2010 to 2014,Yu Xiuhua wrote and published a large number of poems in his blog to express his feelings about life and marriage,which is the high-yield stage of Yu Xiuhua's poetry creation.The third stage: around 2015,Yu Xiuhua became famous in 2014,published two personal poems successively in 2015,participated in various activities and became the protagonist of the documentary "The Rocking World".Before and after 2015,Yu Xiuhua became popular.During this period,she ended her marriage,which was the stage of her poetry creation.The fourth stage: From 2016 to now,after the publication of the third personal poetry anthology in 2016,"Yu Xiuhua fever" gradually disappeared.Yu Xiuhua did not change his original intention,but continued to create poems of high quality and quantity,and paid more attention to the spirit of fraternity.This is the precipitation stage of Yu Xiuhua's poetry creation.The second chapter mainly studies the imagery in her poems.Yu Xiuhua's female identity and disabled identity are the two factors that have the deepest influence on her.The choice of poetry image also fully reflects the influence of female identity and disabled identity.The uniqueness of Yu Xiuhua's poetry imagery is reflected in that the poetry imagery is not only repressed by the female identity and the disabled identity,such as the disabled body,the disabled love and the disabled countryside.There are also opposing images of oppression,such as fish,wine,medicine and white fighting against fate.This coexistence of repression and counter-repression is unique in the contemporary poetry world.Chapter three studies the dramatic and linguistic features of Yu Xiuhua's poetry.Yu Xiuhua's poetry is full of dramatic,dramatic dialogue and monologue,dramatic scenes and dramatic suspense.Through dialogue and monologue in poetry,Yu Xiuhua makes the verse more flexible and expresses emotion more directly;dramatic scenes have time,place,characters and scenes,and use special narrative methods to show the fragments of life;dramatic suspense enables poetry to be interpreted from more angles,thus enhancing the richness of the connotation of poetry.Other main features of Yu Xiuhua's poetry language are as follows: the use of banter language,which makes Yu Xiuhua's poetry more fireworks and grounded;the use of super-collocated words,which does not reveal the language control of landscape,embodies in this aspect,making the poetry special but not abrupt while accurately expressing the poet's feelings;the poetry language is full of pain.This is the pain of folding Yu Xiuhua's triple identity as a woman,a disabled person and a peasant,so it seems quite strong.Chapter four explores the space-time constructed in Yu Xiuhua's poetry.In Yu Xiuhua's poems,time and space are constructed in a special way.The four-hour cycle does not start with spring,but with autumn,and the proportion of the four seasons is uneven.According to the declining way of autumn,winter,spring and summer,the description of autumn is the most and the description of summer is the least,which is consistent with Yu Xiuhua's psychological state.In terms of space construction,Yu Xiuhua constructed three levels of space in his poetry world: real space,imaginary space and psychological space,which made his poetry rich and interesting.Through the overall grasp and careful reading of Yu Xiuhua's poetry texts,through the study of its representative issues: Yu Xiuhua's poetry creation and life experience,the image of poetry,the dramatic nature of language and other main features,time construction and space construction,we can basically form a deeper understanding of Yu Xiuhua's poetry as a whole.