Research On The Literality Of Poetry Talks In Song Dynasty

Song Dynasty is an important time for the gradual development of popular literature and classical narratology.The note in Song Dynasty is narration interspersed with comments,the length can be long or short,the attitude can be solemn or humorous for which it directly impacts the poetry talks and brings poetry talks with more stories and fun like the literary sketches.Moreover,in the theoretical works of ancient literature in China,“criticism” may be literary or with “literality”.While most of the researches on poetry talks in the academic circles are concentrated on the theoretical research of poetry talk,researches on poetry talk itself are relatively few,the recognition on the literature value possessed by it is insufficient and the exploration is not enough,it does not completely and systematically attribute the features of poetry talk to the level of literature.This article conducts the research and analysis on the poetry talk with the utilization of comparative research method and literature research method,on the base of conclusion for the research on the features of poetry talk style by the predecessors,it looks at the overall evolution rule of poetry talk in Song Dynasty and the literature performance such as the language and content etc.from the evolution of content and aesthetic value of poetry talk to explore for the aesthetic intention in the poetry talk and excavate for the literature value of poetry talk.This article conducts the artist statement for poetry talk on the level of literature which is divided into the following aspects:The introduction part first briefly states the research object of this article,defines the “poetry talk” in the proposition and conducts the simple illustration for “literality”;secondly,it introduces the research status of poetry talks in Song Dynasty with the focus on the part related to the research on literality.It is mainly divided into: the origin and creation of poetry talk;research on the manifestation and textual features of poetry talk;targeted research on the literature value,language and narration etc.of poetry talk,research on the poetry talk in the research on the poeticity in ancient literary theory;all the above stated provide the direction for the research on the literality of poetry talk.Part I analyzes the evolution of literality of poetry talk during the Song Dynasty with the content form and aesthetic intention of poetry talk as the base point.In the evolution of poetry talk,there were theories of Ou and Zhong which were related with the evolution of literality inside poetry talk.Starting from the mainstream and new variation of content and form of poetry talk,its nature is to explore for the performances of story and poeticity at different times in poetry talk.The poetry talk which is dominated by the “discussion on poem and matter” contains the aesthetic mood and aspiration of people in Song Dynasty,while some of the poetry talks at later stage focus on the aesthetic evolution of poetry which is filled with the aesthetic emotion of the author of the poetry talk for which comments on poetry talk are rich of new artistic personality and artistic style.Part II discusses the influence of predecessor work of poetry talk,the literary sketches of the six dynasties including “critique of poetry” and “poetry of original story” on poetry talk based on the conclusion and research on the poeticity tradition of ancient literary theory.Moreover,as a new genre of poeticity and poetics in the ancient time,poetry talk also has a unique method of artistic poetics,that is to draw analogy of dhyana with poetry,discuss poetry with dhyana,to understand poetry with the method of dhyana,all of these push the aesthetic state of poetry talk to a higher level.In addition,with the integration of the culture background of Song Dynasty and the analysis on the penetration of literary attainments of authors of poetry talks to the literary creation of poetry talk,it explores for the awareness of poeticity and poetics of poetry talk.Part III mainly explores for the literality of poetry talk from the language artistic characteristics of poetry talk.Poem is an important component of poetry talk,poem and the emotion of poem are the aesthetic objects of poetry talk.With the application of rich rhetorical devices,especially the classical criticism of intention,the literary grace of poetry talk is outstanding.While the selected sentences and reviews,the talk and poem composing of scholars,poems of poetics and matters gift the taste of poem to poetry talk.In addition,the language of dhyana applied by the authors of poetry talk makes the meaning of poetry talk endless,not only does Zen provide the language source of poetics for poetry talk,it even provides the authors of poetry talk with the emotional experience that is connected with the understanding of Zen.Most of the criticisms on poetry talk belong to subjective criticism,although it is less strict and systematic to a certain extent,it has the aesthetic value with personality.for the awareness of poeticity and poetics of poetry talk.Part IV focuses on the discussion on poem and matter which is part of the poetry talk.Stories of poetry talk have rich content,some are amusing remarks of scholars with “poem” as the center,some are comments on the current affairs and anecdotes,and more are stories about “gods and monsters” with unique literary flavor.There are many similarities between poetry talk and literary sketches,therefore,based on the general characteristics of poetry talk,it firstly concludes its relationship with the part of talk and summarizes that not only does poetry talk have the fun of scholars for their talk and behavior,it also has the features of fancy colors from legends of gods and monsters.Not only does it have the suspended interest in the intriguing stories with talk and poems,it also depicts vivid characters in the witness of people by matter and the discussion on matters by poems for which it is full of artistic features on statement.The novel and story in poetry talk are the outstanding performances in the literary flavor of poetry talk.Part V analyzes the influence of literality of poetry talk.First,it is the influence of literality on poetry talk itself.Poetry talk has poeticity and story for which poetry talk has a wide audiences.It does not stick to one pattern for which it can be inclusive,scholars are glad to participate in the creation,that’s why poetry talk is as vast as ocean in Song Dynasty,it is still the genre of poetics favored by the scholars in Qing Dynasty.Therefore,it can be seen that the literality of poetry talk in Song Dynasty has a certain function of inspiration on the creation of poetry talk for future generations by grasping the influence of poetry talk from vertical direction.In addition,starting from the relationship between poetry talk and novel,it can be found that poetry talk also provides many subject matters and elements for novels and dramas of future generations.The innovative point of this article is that it investigates the artistic feature of poetry talk in Song Dynasty on the level of literature;it focuses more on the poetry text itself,there are mainly two outstanding performances which are poet and story for the literality of poetry talk,while the deeper implication is the aesthetic emotion of poetry talk.Therefore,this article grasps the context of poetry talk in the transformation during the Song Dynasty from the entirety in the first place,and then investigates it by putting it into the vertical comparison of literary history and criticism history,and returns to the poetry talk itself for the analysis on the language features of poetics to explore for the poeticity of poetry talk.Secondly,it deeply analyzes the narrative features of poetry talk and concludes the specific performance characteristics of story and novel.At last,it comprehensively concludes the influence generated by the literality of poetry talk on itself and the form of literature and criticism for future generations from line to point and from point to line.