Study On The Composing Technique And Singing Processing Of The Three Mao Zedong Poems And Songs

From the beginning of the introduction of Bel canto into our country in the 1920 s,it gradually launched its development and transformation process of nationalization and localization.This kind of development and reform is reflected in the collision and blending of the beautiful singing method and the traditional national singing method in China.After going through a series of twists and turns such as "the dispute between the earth and the sea",by the 1990 s,the Chinese music scene finally produced the first mature fruit of the nationalization of the beautiful singing method,namely the stereotypes of the new singing method of the nation.There is no doubt that the singing and teaching practices of the new national singing have indeed achieved brilliant results,but it is undeniable that due to the homogeneity of singing techniques,this singing method has gradually exposed the shortcomings of "one thousand people" in its singing practice..To overcome this drawback,we must go beyond the category of singing techniques that are common in the United States,such as breathing,vocalization,and resonance,and proceed from the law of national vocal music singing "according to the word".Go deep into the inside of the word cavity to explore the ideas and ways to further innovate and develop the new national singing method.In view of this,this article selected the three Mao Zedong poetry and art songs created on the basis of traditional operas and folk arts,such as "Seven Laws · Send God","Bu operator · <UNK> Mei" and "Butterfly Love Flower · Answer Li Shuyi".From the four perspectives of breathing,vocalization,resonance and cavity,we will try to analyze and interpret the laws and essential features of the deep fusion of vocal beauty and folk singing in the above four aspects.In order to provide some meaningful suggestions for the reform and innovative development of the new singing method.The research of this topic is divided into five parts: The first part is the introduction,which introduces the background of this topic,the related literature,the research methods and the necessary information of innovation.In the second part,it will analyze the music and art phenomena of the three Mao Zedong poetry art songs: "Seven Laws · Send God","Bu operator · Mei" and "Butterfly Love Flower · Answer Li Shuyi";The third part will start from the four perspectives of breathing,vocalization,resonance,and cavity,and will perform singing techniques on the three works of "Seven Laws · Send God","Bu operator · <UNK> Mei" and "Butterfly Love Flower · Answer Li Shuyi".analysis;The fourth part,combined with the singing analysis of the works,still analyzes the similarities and differences between the National singing method and the beautiful singing method from the four perspectives of breathing,vocalization,resonance,and cavity,and reveals the inspiration of the three songs singing methods to the current vocal music teaching.The fifth part is the conclusion,summarizes the core argument of this article.