Research On Ding Guoyin's Theater Art

Lihuang Opera is a local traditional opera in the area of Wuhu,Anhui Province.It spreads around Wuhu,Dangtu and Hanshan.It has strong local flavour and artistic research value.After a hundred years of development,Lihuang Opera has successfully transformed from the art form of sitting and singing by blind artists into the art of stage performance.After the founding of the People's Republic of China,Lihuang Opera gradually prospered,and then experienced the development of "two ups and two downs".When we talk about the stage art of Lihuang Opera,we will not hesitate to think of Ding Guoyin,as an outstanding performer of Lihuang Opera,whose stage art reflects the development process and evolution of Lihuang Opera.This paper studies Ding Guoyin's stage art experience in stages,summarizes Ding Guoyin's stage art performance characteristics and unique artistic style at different stages,and explores the development process of "two ups and two downs" of Lihuang Opera through Ding Guoyin's stage art research.Finally,the important enlightenment of the future development and inheritance of Lihuang Opera is drawn from Ding Guoyin's stage art.This paper uses the method of combining macro-exploration with micro-exploration for study,which is divided into four chapters.The first chapter introduces the accumulation period of Ding Guoyin's stage art.This chapter defines the period from her childhood interest in singing to the second half of 1957 when she entered the Yihe Lu Opera Troupe in Wuhu for professional opera study,and then in 1959 when she left the Yihe Lu Opera Troupe in Wuhu and transferred to the Lihuang Opera Troupe in Wuhu for rehearsal and study of Huadan Liu's body and singing tune in Lion Howl as the accumulation period of Ding Guoyin's stage art.This paper summarizes the artistic characteristics of Ding Guoyin's stage art during its accumulation period,mainly from the study of Danxing in Lu Opera Troupe and the Danxing performance in Lihuang Opera Troupe.The second chapter introduces the maturity of Ding Guoyin's stage art.This chapter defines the maturity period of Ding Guoyin's stage art fr-om 1959,when Ding Guoyin first attempted to transcend the gender performance Lion Howl to the success of the performance of Li Huang's Modern Drama "Marriage".This stage is the first time that Ding Guoyin tried to cross the gender role shaping.The author combed and analyzed Ding Guoyin's successful role shaping in this stage.The author summarized and combed Ding Guoyin's unique performance style from three parts:the role experience of cross-gender,the stylized expression of broad-minded audience and the maturity of modern drama "Giving Marriage".The third chapter introduces the development period of Ding Guoyin's stage art.This chapter defines the period from the resumption of the establishment of the Lihuang Theatre Troupe in the spring of 1978 to the disintegration of the Lihuang Theatre Troupe in 1986 as the development period of Ding Guoyin's stage art.At this stage,Ding Guoyin dared to break through his previous performance procedures and made bold innovations and beneficial expansion after the performance art matured.From Xu Xian in The Legend of White Snake,Xue Dingshan in Three Invitations to Fan Lihua and Mei Liangyu in Parting at Congtai,this paper summarizes Ding Guoyin's innovations through the analysis of Ding Guoyin's works in the expansion period.The fourth chapter introduces the characteristics of Ding Guoyin's stage art and the Enlightenment of Ding Guoyin's stage art to Lihuang Opera.This chapter compares the characteristics of Ding Guoyin's stage art horizontally.It not only considers the artistic phenomena of Lihuang girls,but also summarizes the performance characteristics of Ding Guoyin's compatible and flexible performance as well as the singing characteristics of smooth and emotional singers through the comparison of her career and life.From the exploration of Ding Guoyin's stage art,the artistic pursuit of Ding Guoyin's keeping pace with the times is concluded.Through her incorporating artistic style and endless artistic attitude,the Enlightenment of Ding Guoyin to the inheritance of Lihuang Opera is summarized.