An Ecological Philosophical Analysis Of Seeing

From the perspective of ecology,‘seeing' is one of the most important ways for human to recognize this world,acting as the crucial link to establish the relation between human and surrounding environment.Depending on its own advantage,‘seeing' has always played an extraordinarily vital role in the emerging and development of human civilization.With the historical development,it has transformed to diversified forms,but still occupied a space of human,especially in today,when various techniques of ‘seeing'are undergoing burgeoning development,visual culture is gradually becoming one of the important footnotes of this era.In nature,human,environment and technique jointly constitute the ecology of‘seeing'.Depending on relevant techniques,‘seeing' also has different ways of expression,letting people break away from the shackles of flesh,profoundly extending the views of human from two dimensions of width and depth,and helping people to solidify the time and space.Techniques of ‘seeing' can better help people recognize the whole world.However,it also poses the threat of dissolving the ecological subjectivity of human.Techniques of ‘seeing' also have its own construction and deconstruction in social ecology.The emerging visual culture and the era of time have promoted the techniques of‘seeing',and it also brings massive kinds of graphical landscape.Human is gradually besieged by the high wall brought by such condition.Besides,the graphical landscape is changing human's lifestyles as well as disturbing the correct recognition of human to the outside world.However,the surrealistic graphical landscape also deconstructs the world with the graphs that go beyond the reality.How to recognize the validity of information and avoid misleading has become the inevitable problem that the human need to confront.Finally,‘seeing' also expands itself to the deconstruction in the process of participating in social construction.As it dissolves the authentic ecological society,deconstructing it into a‘prison' composed of cinema and network.