| Spot scene is a carrier of emotion,which conveys our unique emotion,conception,aesthetic conception and cultural connotation,and shows the unified artistic realm of landscape painting that "the external master creates,the heart comes from".In the historical development of landscape painting,the forms and contents such as pictorial representation,interest and motif often change with The Times.As a component element of the overall picture,it plays a role in deepening and improving the theme.This thesis mainly studies the aesthetic artistic conception expressed by the spots and scenes of the temples and pagodas in the landscape paintings.Since Buddhism was introduced into China,it has exerted a profound influence on Chinese culture.In addition to its unique practical function,the temple and pagoda in buddhist architecture has a special cultural connotation,which has a far-reaching influence on Chinese architecture,sculpture,philosophy,literature,painting and other fields.In the field of painting,the point-view of traditional landscape painting is particularly prominent.The point-view of temples and pagodas in landscape painting deepens the artistic conception of traditional Chinese philosophy.People in different times find spiritual comfort in the spiritual world through the spiritual perception of visual language.In history,many painters were literati who had collected the culture of Confucianism,Buddhism and Taoism,and many famous works were even the themes that painters expressed after escaping into an empty door,projecting their cultural sentiment,aesthetic concept and life experience.Therefore,the temple pagoda as a landscape painting spot scene,it is necessary to carry out an in-depth study alone. |
