A Preliminary Study On The Brushwork Language Of Ink Figure Painting

Chinese freehand figure painting has been standing in the world of art because of its unique Oriental aesthetic thinking and humanistic connotation.Since modern times,western art trend of thought has been pouring into China one after another,and freehand figure painting has shown its vitality again in the integration of Chinese and western development,and has made great progress on the basis of the new background.After nearly a century of break,deconstruction and integration of the traditional brush and ink,the author gradually found a line of development about the language of brush and ink.The rise of ink painting has greatly enriched the expression techniques of Chinese traditional freehand brushwork figures.As a plastic art with both philosophical and visual characteristics,brush and ink painting are also indispensable elements in the architecture of ink painting.In the transition to the contemporary context,artists use the brushwork and ink language of freehand figure painting more freely and innovatively,and combine it with various methods such as spray,extension,extension and kneading,and establish a variety of ink figure images with both personal style and fun.This article will list several representative painters of its artistic style are summarized and compared,thus more effective help practitioners engaged in ink figure painting creation,for the final graduation creation also has the practical significance of reference experience,looking to create both conforms to the spirit of the age and do not break the traditional Chinese ink paintings unique Oriental humanism aesthetics.