A Study On The Singing Of The Folk Songs Of The Northern Shanxi Province

"Folk Songs" are songs created by different ethnic groups in different periods with their own national characteristics.Most of them have no authors,and they are passed down from generation to generation in the form of word of mouth.Our country's folk songs have a long history.In the primitive society,our ancestors used songs to convey life production scenes."Shanbei Folk Song" is a traditional song in the northern part of Shaanxi.It is divided into three categories: labor number,Xintianyou and minor.The labor number includes singing songs,playing songs,quarrying songs,yak songs,and playing songs.Xintianyou is divided into a high cavity and a peaceful cavity.These traditional songs have revealed the life and emotional state of the people of northern Shaanxi.In June2008,the northern Shaanxi folk songs declared by Yulin City and Yan'an City of Shaanxi Province were approved by the State Council to be included in the second batch of national intangible cultural heritage.This paper studies the singing of the folk song "Catch the Birds" in Northern Shaanxi.The content of the thesis is divided into three chapters.The first chapter interprets the works from the creation,mainly from the two parts of the words and melody.In-depth analysis of the locality and uniqueness of the work,so as to more accurately and vividly express the work.The second chapter combs the singing skills and processing,mainly from the selection of sound,the use of dialects,and the control of the strong and weak.In addition to analyzing the characteristics of the music itself,it is reasonable to add his own ideas and creations to make the song more flavorful.The third chapter studies from the stage practice performance,mainly from the two aspects of the influence of imagination on shaping the works and the auxiliary role of body language in singing.Use imagination and body language to depict the pictures in the works to make the music more vivid.In summary,this topic is based on the experience of self-singing practice.If thereare any deficiencies,I hope that scholars will criticize and correct.