Narrative Research On The Documentary Of The Forbidden City Since The New Century

Since the new century,the creation of the Forbidden City documentary has shown an overall upward trend,and the number as well as quality of works have been greatly improved.Their bold exploration in the narrative not only makes the Forbidden City documentary have a unique style different from other documentaries,but also complements and enriches the type and style of the domestic documentary market,and also eases the domestic documentary in the narrative aesthetics poverty,which has caused widespread concern among the audience,industry and scholars.However,the existing literary theories on the narrative research of the Forbidden City documentary are mostly limited to a single work or a certain angle.There is a lack of comprehensive and systematic analysis and analysis of many Forbidden City documentaries as the whole research object.Therefore,this article will focus on the narrative features of the Forbidden City documentary since the new century.In the specific operation,a number of excellent forecourt documentaries with mainstream media at home and abroad as the main production or broadcast units have been selected as research objects,using text analysis and comparative analysis as the main research methods,and classical narratology theory.Based on the perspective of post-classical narratology,combined with the theories of communication,film and television aesthetics,it is used for narrative research,in order to provide reference for the innovation and optimization of the future narrative mode of the Forbidden City documentary.This thesis is divided into six parts.Firstly,the introduction part expounds the research background and research significance of the narratological documentary of the Forbidden City documentary,summarizes the collected literature on the Forbidden City documentary,and points out the difficulties and research innovations of the article;The first chapter gives an overview of the Forbidden City documentary since the new century,including the development and classification of the Forbidden City documentary since the new century;The second chapter,the third chapter and the fourth chapter respectively combine the representative cases to analyze thecharacteristics of the three narrative dimensions of the narrative content,the narrative perspective and the narrative space-time of the Forbidden City documentary since the new century and summarize its uniqueness;On the basis of understanding the narrative characteristics of the research objects,the fifth chapter discusses the shortcomings of the Forbidden City documentary in the narrative in the new century,and proposes the narrative strategy with practical guiding significance.