The Analysis And Research Of Maki Ishii's Accordion Work 'Tango·Prism'

‘Tango·Prism' is a modern solo accordion piece written by Japanese composer Maki Ishii in 1987 for the outstanding accordion master Mie Miki.This work combines the concept of ‘Tango' and ‘Prism',which is equivalent to disassembling and reorganizing the music elements in the charming Tango music works through modern western composition techniques.It is equivalent to the ‘Prism' of music worid--Make the prototype reflect a richer and brand-new music color,thus forming a new music content.Through this new music language,Maki Ishii enriches people's music imagination space and gives a unique auditory feast in the music full of conflicts.In terms of its theoretical significance and practical significance,this piece not only has its unique characteristics,but also plays a certain role in improving the accuracy of music works and accordion playing skills with similar styles.Through my analysis and performance experience of this work,I have a more comprehensive understanding.This paper is divided into four chapters,the first chapter of composer Makii Ishii's music career;Chapter two is structure analysis of‘Tango·Prism';The third chapter is about the music grammar of Makii Ishii in‘Tango·Prism' and the fourth chapter is about the playing skills of‘Tango·Prism'.