Acceptance Of Zhuang Zi By The Literary Mind And Carving Of Dragons

During the Wei,Jin and Southern and Northern Dynasties,Confucianism,Taoism,Xuan and Buddhism coexisted,interacting and infiltrating each other."Qing Tan" became a social trend,and the people was particularly good at Lao Zi and Zhuang Zi.Zhuang Zi as a masterpiece of Taoism,has received unprecedented attention during this period,and the masterpiece The literary Mind and Carving of Dragons that was born at this time is a fusion of various thought-forms.The literary Mind and Carving of Dragons and Zhuang Zi have a close ideological relationship,especially to be discussed in depth.At present,the academic research on the acceptance of Zhuang Zi by The literary Mind and Carving of Dragons mainly focuses on the papers on the inheritance and examination of Taoist culture and the essays of the literatures of The literary Mind and Carving of Dragons.From the perspective of philology,there is no monograph on the relationship between The literary Mind and Carving of Dragons and Zhuang Zi,and there is a lack of systematic and comprehensive combing.The only analysis of The literary Mind and Carving of Dragons and Zhuang Zi has fewer articles.It is not directly explained in the comparative study with Lao Zi Zhuang Zi It focuses on indirect contrast and involves "natural view" and "virtual silence".Discussion of concepts.Therefore,from the perspective of literary hermeneutics,this paper is based on the Wei,Jin,Southern and Northern Dynasties,and analyzes the acceptance of Zhuang Zi by The literary Mind and Carving of Dragons,and strives to achieve a comprehensive and systematic analysis,especially significant.Starting from the relevance of the two literatures,this paper explores the inheritance and innovation of artistic creation and artistic spirit.According to the logical thinking of the article,the paper is structured as follows:The first part is the "Introduction",which focuses on the background of the masterpiece The literary Mind and Carving of Dragons-Wei Jin,the Southern and Northern Dynasties,and analyzes the characteristics of literary development and the status quo of domestic research in this period.Then summarize the research ideas and methods of this article,from the perspective of hermeneutics,using comparative analysis,literature search,induction and many other methods to explore the acceptance of Zhuang Zi by The literary Mind and Carving of Dragons.Finally,the research significance and innovation of this thesis are summarized.The research significance of the article is discussed from the inheritance and innovation of Chinese classical literature,the contemporary interpretation of classical literature and the communication of Chinese artistic spirit.The second part expounds the textual relevance of The literary Mind and Carving of Dragons and Zhuang Zi,and analyzes the textual relevance of The literary Mind and Carving of Dragons and Zhuang Zi.Analyze the relationship of Zhuang Zi and Zhuang Zi,The literary Mind and Carving of Dragons and Zhuang Zi,and the discourse of Zhuang Zi and his book is elaborated in The literary Mind and Carving of Dragons.Then the analysis and use of Zhuang Zi by The literary Mind and Carving of Dragons are analyzed.Summary of both aspects of epistemology.The third part mainly analyzes the inheritance and development of Zhuang Zi art creation theory and the spirit of Chinese art creation.It involves the inheritance of creative sources such as the source of artistic creation,the theory of artistic creation,and the expression of art.Then,from the theory of creation to the phenomenology of artistic spirit,the author analyzes the spirit of Chinese art creation in The literary Mind and Carving of Dragons,including the capture of artistic thinking and the communication of artistic spirit.Through the comparative analysis of the unique categories of traditional Chinese literary theory involved in the text,we can find the development trend and internal law of Chinese classical poetics,effectively cover the characteristics of national native discourse,and promote the modern transformation of classical poetics.Furthermore,rooted in the soil of the nation,it form an effective continuation of poetic discourse and thinking paradigm.