Research On The National Culture Of Tibetan Documentary

With its unique film-like method,the image constructs a Tibetan image that is both figurative and imaginative,both intuitive and subjective.Once this image is established,this conventional imagery mechanism fixes the image of Tibet to a certain consistency."The spectacle","the other" and "Shangri-La" are the presentation methods and expressions of Tibet in the West and even the Han.The cultural differences between image creators have led to different presentations of national culture.The rhetoric of Tibetan culture in the new era encounters different cultural views of the creators on the one hand,and faces the demand for expression of modern context on the other hand.The local cultural symbol is the cultural designation of film and television art in a specific area.It constructs the image symbol system and paradigm that characterizes the cultural style of the region through the unique costumes,architecture and rituals of the region.Symbols abstract the world into empirical texts that expand the range of human cognition.What we can do is to use the phenomenon more to explain the symbols in the process of using the local symbols,to mobilize the senses of human beings to experience the sway of symbols created by images.The cultural rendering of the graduation creation "The Tibetan Medicine Teenager" is carried out through two aspects,one is the use of cultural symbols;the other is a description of the modern operation of Tibetan society in a realistic attitude.These two aspects are juxtaposed into the same cultural space.In this process,this creation uses the life of Dorje Shuwang as a clue to the whole film.Through the symbols and descriptions,the characters of Tibetan teenagers after the “Baptism of Modern Civilization” are created to illustrate the living environment of the Tibetans.Free thinking of the social environment.The author concludes that on the basis of the construction of the image community,reshaping and perceiving the real world in the image with the aesthetic modernity is a common motif of the nationality,and the national identity of the ethnic minorities including the Tibetans is Characterized by the local symbol.However,whether it is a symbolic or figurative approach depends on thedocumentary creation director’s ability to appreciate aesthetic judgment and true judgment.