An Analysis Of The Piano Part In L.V.Beethoven’s《Sonata For Piano And Violin In D》

Ludwig van Beethoven’s sonata for violin and piano in D major(op.12,No.1),created in 1797-1798 and officially published in Vienna in 1799,is the first of Beethoven’s 10 sonatas for violin and piano.This sonata played a very important role in Beethoven’s early chamber music creation.Based on my own research and reflection after cooperation with Russian violinist Elena Markina,this paper attempts to analyze and summarize a set of performance style of this work that is not only in line with the composer’s original intention but alsointegrates my thinking,including:1.the introduction of its creation background and the comparison of Beethoven’s creation of piano sonatas at the same period;2.analysis of practical playing skills inpiano part;3.the duet cooperation between piano and violin.