The Form And Concept Ofabstract Painting

In today's variety of art,painting seems to be an old concept,which belongs to a part of the image.So,what is the particularity of painting? Let it still have its own space for growth today.The author thinks that the particularity of painting is that it is a manifestation of the perceptual form language and concept.In the field of abstract art and painting creation in contemporary China,the discussion about the abstract form of painting and the conceptual transformation of material and language is an important problem.Many art theories and creative practices are focused on this problem.The purpose of this paper is to take Liang Quan's works of art as a case study and analyze them in depth through the works of different periods,how he uses abstract painting as a form of expression to put non-artistic experience into the experience of art.And then into the art that we know,visualize,feel,and speak.It makes our limited cognition break through and enlarge the boundary of artistic cognition.Liang Quan's abstract art paintings are rooted in the connotation of Chinese traditional culture and aesthetic experiences.Combined with their own life experience,they have strong sense of experience and encounter and give the possibility of a contemporary abstract painting.This paper mainly uses the following research methods: 1.Study of works:In order to explore the unique mode of thinking and evolution equation of Liang Quan's works,this paper makes a thorough study and analysis of his works in different stages.2.Summary method:According to Liang Quan's deep analysis and innovative research of abstract art works,a methodology is summed up.Hope to extract from his artistic creation practice to benefit today's artistic creation practice of enlightenment.The first part of this paper will illustrate the existence of abstract art painting in the contemporary art field,the relationship between form and concept,as well as the research status of the art works of Liang Quan as the entry point in this paper.Thesecond part is a brief introduction to the artist Liang Quan's personal growth work experience,as a background basis.The third part is from the artistic practice angle,through the concrete work analysis to discuss from the form to the idea as one kind of painting creation method in Liang Quan's artistic work application.The 4th part is a methodology of artistic creation through the analysis from form to concept.It consists of three parts:They are the establishment of context,the dialogue tradition;the perceptual speech,the construction of the problem;the rational coding,and the implementation of the scene.The 5th part is through my own process of artistic creation and practice to comb a further in-depth study of Liang Quan's artistic creation as a creative method for me,an art creator and practitioner inspiration and reflection;The 6th part is a summary of the article.