| After the reform and opening up,the process of urbanization in China has been speeded up obviously,and the contemporary China has entered a large-scale urbanization process,and the new urban life has changed our aesthetic concept and the artist’s creative techniques.The contemporary urban landscape painting has developed rapidly in the new historical period.It shows the contemporary city scenery with the traditional ink and ink,and at the same time draws on the expression forms of other paintings,and has a new breakthrough in the inheritance and development of Chinese traditional landscape painting.The core issue of contemporary ink and wash painting is how to combine the traditional pen and ink spirit with the contemporary life to produce works of art that are in line with contemporary aesthetic concepts.In the history of industrialization and modernization brought by industrial civilization,we should look for the source and form of Chinese landscape painting.In the development of Chinese painting in the twentieth Century,the exploration of modernization of ink and wash has been started and fruitful results have been achieved.In the twenty-first Century,the contemporary city became our main living space,in the new era of painting creation,with inheritance and innovation as the goal,the traditional Chinese ink and ink art to reflect the contemporary spiritual culture,making the development of Chinese painting on a new journey.Old street is not only an important carrier of regional culture,but also a regional architectural landscape of a city,which inherits the traditional culture of its region.Chongqing old street has its new aesthetic significance in the new era because of its unique geographical environment and humanistic connotation.This article makes a more detailed exposition of the emergence,development and artistic expression of the landscape painting of the city subject,and expresses his views on the significance of the old street culture to the selection of contemporary urban landscape painting,analyzes the regional characteristics,cultural connotation and the value of the beauty of the Chongqing old street,and combines the author with the old street of Chongqing.For the creation practice of the subject,from the subject,the pen and ink technique,the artistic conception and so on,the thesis makes a theoretical inquiry into the practice of the graduation creation,and provides the theoretical guarantee for the future art creation. |