The Research Of Reception For Chen Zi’ang In Song And Yuan Dynasties

Chen Zi’ang was an important writer in the history of literature in the Tang Dynasty.During the Tang and Five Dynasties,Chen Zi’ang was highly respected by famous artists at that time.The Song and Yuan Dynasties were the crucial period for Chen Zi’ang to accept in later generations,and he had the role of inheriting the past.The acceptance of Chen Zi’ang in the Song and Yuan Dynasties laid the foundation for his acceptance of history.In the past,the research on Chen Zi’ang’s acceptance only focused on studying the individual phenomena in his acceptance history and was not comprehensive enough.This article will include Chen Zi’ang’s poetry,prose and himself into their study.From the perspective of reception aesthetics,the paper discusses the process of its acceptance during the Song and Yuan Dynasties.This article is divided into five parts.The introduction part elaborates Chen Zi’ang’s important position in the history of literature in the Tang Dynasty.Chen Zi’ang accepted the research status and research methods.The first chapter outlines the acceptance of Chen Zi’ang during the Tang and Five Dynasties.In the first section,we first sort out the compilation of Chen Zi’ang’s anthology and the circulation of the works.Chen Zi’ang’s collection of ten volumes was handed down,and the circulation of his works was also based on transcription.The second section describes the criticism of Chen Zi’ang’s poetry in the Tang and the Five Dynasties.The Tang and the Five Dynasties had opinions on the creation of Chen Zi’ang’s poetry.Chen Zi’ang was the pioneer of Tang.The third section describes the Tang and Five Dynasties arguments for Chen Zi’ang and himself,mainly including the compassion and other life materials that Chen Zi’ang encountered.The second chapter combs the dissemination of Chen Zi’ang’s works in the Song and Yuan Dynasties.The first section examines the circulation of Chen Zi’ang’s anthology in the Song and Yuan Dynasties.The collection was handed down in ten volumes and has multiple versions.The second section describes the circulation of Chen Zi’ang’s poetry during the Song and Yuan Dynasties.Chen Zi’ang’s poetry is widely selected and quoted,which is related to the academic trends in differentperiods.The third section introduces the spread of Chen Zi’ang’s prose in the Song and Yuan Dynasties.His prose has also been widely selected and quoted,and is mainly based on political papers.At the time of the Jin and Yuan Dynasties,Chen Zi’ang’s proses were generally less citing,mainly in political papers,and their inscriptions were of concern to Daoists.The third chapter elaborates the criticism of Chen Zi’ang poetry in Song and Yuan Dynasties.The first section introduces the criticism and imitation of Chen Zi-ang’s poetry in the Song Dynasty.The criticism of Chen Zi’ang’s poetry in the Song Dynasty has been influenced by the academic thoughts of “Bian Tang Wei Song”,“Xue Du Zhu Du” and “the dispute between the poetry of Tang and Song Dynasty”,and the Song Dynasty scholars.An imitation of Chen Zi’ang’s “Gan Yu Shi”.The second section describes the criticism of Chen Zi’ang’s poetry during the Song and Yuan Dynasties.Under the background of the poetics of the Tang Dynasty,the poems of Chen Zi’ang’s unequivocal poetry and the “Wu Yan Gu Shi” were highly praised.The status of the pioneer of Chen Zi’ang’s Tang and Tang poetry was further affirmed.The fourth chapter discusses the criticism of Chen Zi’ang’s prose in the Song and Yuan Dynasties.The first section introduces the follow-up of the viewpoints of the Tang people during the Song and Yuan Dynasties.These views mainly originated from Lu Zangyong,Liang Su,and Liu Xu.The second section discusses the influence of the "Zong Jing Zun Han" ideological trend on the criticism of Chen Zi’ang.Chen Zi’ang’s prose creation still has incompleteness,There are still “Qi Liang Yu Xi”in his prose.In the third section,Chen Zi’ang was the pioneer of “Tang Guwen” and affirmed the merits of his innovative writing style.Section IV examines the acceptance of Chen Zi’ang’s “Fuchou’yizhuang” and “Zhuweifu” during the Song and Yuan Dynasties.The criticisms of the “Reconciliation” in the Song and Yuan Dynasties were influenced by the turbulent thoughts.Chen Zi’ang was considered in the Yuan Dynasty.It is the ancestor of Tang Fu.Chapter 5 deals with the acceptance of Chen Zi’ang and his people during the Song and Yuan Dynasties.The first section describes the records of Chen Zi’ang’s life during the Song and Yuan Dynasties.The publication of “Xin tangshu”has had a profound impact on Chen Zi’ang’s acceptance.The Chronicle of Tang Poetry and Tang Caizi Biography made some sort of research and verification of Chen Zi’ang’s life materials.In the Song and Yuan Dynasties,the relevant relics of Chen Zi’ang wererecorded in more detail.The second section studies the arguments of Chen Zi’ang’s friendship in the Song and Yuan Dynasties.It is generally accepted that the arguments of “10 friends from outside” and “10 friends from Xianzong”are generally accepted.The third section discusses the follow-up and development of the viewpoints of the Tang people in the Song and Yuan Dynasties.Section IV recounts the discussion of the death causes of Chen Zi’ang in the Song and Yuan Dynasties.Most of them agree with Chen Zi’ang’s argument that he was killed by Duan Jian.Some people are also skeptical about the records of the two Tang Shu.The fifth section describes the relationship between Chen Zi’ang and the Wu Zhou regime in the Song and Yuan Dynasties,and formed the opinions of the “Dang Zhou” and the “Zong Tang”.The epilogue summarizes the acceptance of Chen Zi’ang during the Song and Yuan Dynasties.The Song and Yuan Dynasties were the crucial period for Chen Zi’ang to accept,which had the significance of linking up with the next.