| In the 1990 s,the art field was relatively quiet,with no new art source and no new art movement.However,through the appearance of tranquility,there is also a latent flow of development,although it is still in the unbroken state,and has not yet received extensive attention in the art field.If the time is ripe,the new artistic concept may be highlighted in a short time.Domestically,in the case of yuanmingyuan painter village,one of its artistic focus area belongs to the early,the number of young artists gathered in the painter village,who resigned from office,the desire for freedom,to practice the dream,the principal and interest in the painter village,is the actual witness of contemporary art in China has gradually developing forward.Fang lijun is one of the first artists to enter the yuanmingyuan painter village,it is in the old Summer Palace,fang lijun in extremely difficult circumstances,based on his understanding of art and the reality of the real world view created a large number of works.During the yuanmingyuan painter village can be said to be its core a turning point,created by LiXianTing here called "realism" in the works,are important in international exhibition,such as "China’s new art exhibition" held in Australia in 1992,after the "89 China’s new art exhibition" in 1993 and is carried out on the 45 th session of Venice biennale exhibition,let he had a lot of reputation,his works much attention in the field of fine arts.Works of this period has had a lot of detail,and in these works "logic" scene,but also not the description of the system,the methodology of "situational analysis" tells us that to further interpret a work of art,the first thing to clarify the relationship between the artists and their creative situation,which in turn reveals various kinds of factors in the situation is how to make the concreteness and particularity of personal creation.This paper is to explore the "situational logic" generated by fang lijun’s works in yuanmingyuan period. |
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