| The history of Korean films has gone through a long process of development.From 70 s to 90 s,the revival of Korean films gradually developed to a climax.Kim Kiduk,a new director who entered the Korean film world in 90 s,has become an influential world class director by virtue of his distinctive style of work and high production and excellent film works,which contributes an important force to the development of modern Korean film.The social and cultural background of modern Korea and the complicated and difficult life experience of Kim Ki-duk have created his distinctive aesthetic perspective,which has become a continuous source of material and story background.So far,he has completed 25 films,by showing the existence and emotion of the marginalized characters that have been excluded from the mainstream society state,exploring the infinite possibilities in the depth of human nature and expressing his thinking about the realistic nature of today’s Korean society,the artistic style that coexists with violent violence and fresh beauty is free from the mainstream commercial type market in South Korea."In Kim Ki-duk’s film,the characters in the film are used to communicate with the sensation of physical stimulation,not the language to communicate," the answer to this question can be seen as Kim Ki-duk’s view of the "body" in his film: "we are not all dependent on one’s own body.Is the body constructed to live? The question is just what part of your body you use.We do not understand this difference as "life form" but divide it into one class of society.He was responding to the occupation of a lot of prostitutes who appeared in his films while watching his films,as well as the images of persecution,bullying and abuse among women and prostitutes in his films.Thus,Kim Ki-duk himself had a unique thinking about the "body",and he looked at the physical strength of the bottom of the society on an equal and objective perspective.The worker and the female worker who sell the flesh,in his view,each person needs to sell part of the body for the sake of life,the intellectuals may rely on selling ideas and knowledge,and the people in the bottom society can only sell their flesh directly in order to survive.Kim Ki-duk’s view of "body" and his ideas,from the 96 year of his first work in "the diaries of the crocodile hide the corpse" to salvage the dead body of the drowning man by the hero crocodile in the river,to his work "the unknown to the addressee","empty room" to the body in full control,and to "time" "Moebius " The destruction and replacement of the body organs directly to the latest works "net" and "human,space,time" for the body’s metaphor become an important aspect of all the other works.Narratologist Peter Brooks once said: "in modern narrative,the symbol of the body and the physical integration of the story,the body is the source and core of the meaning of the body,without the body as the main medium of the narrative,all the stories can not be told." This argument is very true in Kim Ki duk’s film: the "body" of the characters in Kim Ki duk’s film is both an important turning point to promote the plot of the film,and a key symbol to analyze and interpret the theme of the film and the thought of the director."The body and the soul are constructed by society," said Foucault.And "the body is the place of origin",so through the in-depth interpretation of the body of Kim Ki-duk’s films is very necessary.Through the abnormal attention of the director to the body,we find the root of the thoughts and feelings expressed in the film with the body as a metaphor,and this is the author’s desire to use the body narrative research.The reason for the method.The article will start with the modern and modern political,economic and social culture of South Korea,through the unique "hate" culture of Korea as the social background of Korea in the era of Kim Ki-duk,in connection with the family life background of Kim Ki-duk director and his difficult creation way after entering the film industry,as well as his film works.It has been criticized by the mainstream film circle and the Korean people in the world.After the analysis of the social background and the life of the director,the influence of his individual psychology on the values of the film is presented.The second part is the presentation of the "abnormal" characters and the relationship between the characters in Kim Ki-duk’s film,mainly with the deformed affection and love relationship.Using the right thought of French thinker,the special "abnormal" characters in the Kim Ki-duk film are admonished and punished by the mainstream morality of the society,and Kim Ki-duk is shown.The living state of the new "deformed man" in the capitalist society,the indifference and loneliness of the emotional state of people and people,and the differentiation and analysis of the director’s frailty and insanity care in the relationship between loneliness and isolation.The third part,combining the main ideas of Foucault’s argument on body philosophy,analyzes the image of "body" in Kim Ki-duk’s film,and the author will carefully observe the pictures in Kim Ki-duk’s films and compare the characteristics of some of his most classic films and the symbolic body language narration in these films.And how the important role of the important character constructs the unique style of the development of the plot,combines the attention of the body in Kim Ki-duk’s film and the attention to the body narration.On the other hand,it also thinks that the screen as the mirror is often intertextuality with the actual physical and social economic and cultural rights of the Korean people.And contrast,analyze the various expressions of power in Kim Ki-duk’s works,and make a deep influence on the real body.The conclusion part of Kim Ki-duk 2008-2011 through the important important turning of life after the important turning back to the film production works and after the continuation and innovation of the ideological content of his works,excavate the Enlightenment of its director style to the development of Chinese art film. |
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