A Study On The Drama Of Nuotangxi In Guizhou

Nuo is a kind of ritual drama with strong formulaic and sacred nature,which has social function to ward off evil spirits and pray lucky.Its distribution range is wide,the form is different.At present,the drama of nuo in guizhou is mainly exorcise,Nuotangxi,Cuotaiji,qingtan,Yangxi,Dixi and so on.Nuotangxi as a branch of nuo drama,mainly popular in the northeast of guizhou,,which has the social function of pray lucky to ward off evil spirits and the cultural function of educating people.Study on Nuotangxi drama,It is great significance for the protection and inheritance of the national intangible cultural heritage of exorcism.This paper mainly USES the theories of folk art,national drama,folklore etc,research object to collect the script of Nuotangxi in guizhou.The whole thesis is divided into five chapters.The introduction,to define the related concepts of Nuotangxi.Which is from Nuo drama,and then forming a new variety.Nuogong and Nuomu is belief god,in the perform of singing and dancing for the unit with the altar class completion ceremony,add some secular life add appreciation and artistic content,show time unlimited.Nuotangxi drama is a series of pure rituals that have a certain storyline,or perform in the form of song or dance or dialogue.Then,the present situation of the study of Nuo drama,Nuo opera and guizhou's Nuotangxi script was summarized,and the research on Nuo drama has achieved fruitful results.However,the study of Nuotangxi drama is not obvious,and it is in the stage of collecting and finishing.Finally,the research ideas and methods of this paper are introduced.The first chapter,Introduce the script of Nuotangxi in guizhou.According to the content and performance of Nuotangxi drama,it is divided into ritual script and secular script.exit and lose situation of Nuotangxi drama is introduced,and the form and inheritance of the script.The second chapter,analyzes the structure pattern and language style of the Nuotangxi script in guizhou.The ritual script is mainly for ritual service,and thescript structure is programmed.However,it is not only for the service of the ceremony,therefore,the script content presents the characteristics of the interleaving of the instrument.Most of its lyrics are folk ballads,and the performance is rhythmic.In the dialogue,various folk sayings,dialects and dialects make their contents colloquial,life-changing,and rich in local flavor.The third chapter,analysis of guizhou's Nuotangxi secular script.Summed up the "filial piety" and "encouraging people to" two themes,and combing the secular class play the story of the source and type of story.The fourth chapter,narrate derivatives situation and discusses the causes of the Nuotangxi script.It is that difference between the foreign language and the different region of the script in guizhou,which was influenced by the change of the social environment,successors and the taste of the audience.The fifth chapter,the overview of Nuotangxi hand-written form,analysis its font symbols and social value.It is that most popular and most popular script of the most popular opera in the most popular and most popular opera script,and among them,the popular script and special symbols show the special form of the folk script,and have some help in the understand of the script's original form in guizhou.Through the analysis of the above chapters,it is concluded that,as the national intangible cultural heritage of guizhou's Nuotangxi,the story of the script is rich,and the emergence of the foreign language in the process of inheritance reveals an important phenomenon: that is,only "living" intangible cultural heritage can stay alive for a long time.