The Application And Practice Of "Singing" In Piano Performance

Singing expression is one of the highest goals pursued by instrumental performance.As a keyboard instrument with a percussion attribute,how to perform its singing expression is a great challenge for every piano player.The purpose of this thesis is to explore the way of singing expression in piano performance and to study the specific problems of piano performance creatively based on Stanislavsky's theoretical system of theatrical performance.At the same time,a lot of professional knowledge,such as psychology,art semiotics,music aesthetics and music psychology,are used to explore the psychological techniques,body techniques and specific applications of singing expression in piano performance.This thesis consists of four parts.Part one is the introduction,which expounds the research background,research purpose,research significance and literature review.Part two mainly explains the related concepts such as Stanislavski system,piano performance and singing,and their correlation with each other.Part three is the core part of the thesis,which introduces the application and practice of singing expression.It is specifically divided into two chapters,that is,chapter three,psychological techniques of singing expressive(including psychological mechanisms,psychological processes,and psycho-technical training),and chapter four,physical techniques of singing expressive(including physical mechanisms,physical processes,and physical training).Among them,in the chapter on psychological technology of singing expression,the training methods such as "prescribed situation","psychological suggestion" and "performance anxiety" are applied to the singing expression of piano performance,through the analysis of the three psychological processes of "perceived and experienced","imagination and belief",and "emotional memory".In the chapter on physical technique of of singing expression,combining the process and training methods in psychological technique,this paper puts forward individual training,coherent training and comprehensive training of body movements,and corresponds these to grasping the theme features in the singing expression of the piano performance,grasping the coherence when the theme changes,and grasping the entire content of the work.From the player's understanding of music,the expression of music and the enhancement of musical expressiveness,part four,that is chapter five,introduces the inspiration of Stanislavski system to singing expression after the study.