Muiti-voice Omposition And Band Arrangement

After a long period of development,the traditional Jin opera musical art finally formed the art of “linear” thinking and then inherited this fixed pattern.With the progress of society,this model has bound Jin opera to a certain extent,and can not meet the aesthetic needs of the contemporary audience.Especially in the creation and arrangements of Jin opera,the disadvantages of single form are particularly prominent.In the 1970 s,the popularity of the eight major model plays affected Jin opera greatly.The model show changed the traditional three-piece accompaniment into a mixed band that was accompanied by the Western orchestra and the three major pieces.The arrangement method was changed to multiple sounds,which greatly enriched the sound effects.In response to the central call,the locals popularized model operas.During the practice rehearsal,Jin opera workers saw the benefits of mixed band accompaniment,and they began to imitate to adapt the traditional Jin opera repertoire.The author captures the special significance of the development of the Jin opera music from mono-vocal to multi-voice.This phenomenon is intended to study the ancient opera “Fu Shan Jin Jing”,one of the outstanding repertoires produced in recent years.This article first introduces the outline of Jin opera,introduces the Jin music from Jin opera music composition and the Jin opera music band.Chapter? discusses the development of Jin music's multi-voice configuration,which includes the history of Jin opera,and the Jin opera's music monophony.The reason,historical evolution,and development of multiple sounds;Chapter? takes the new ancient drama Fushan Jinjing as an example,and discusses the use of multiple sounds in harmony,polyphony writing techniques,and texture preparation in detailed analysis and interpretation.The fourth chapter focuses on the study of the instrumentation in Fushan Jinjing.It focuses on the analysis of the band organization and the technical analysis of the orchestration,and gives an analysis of a large number of examples.As a musician,the author does his utmost to contributeto the inheritance and development of Jin opera music through the analysis of the above aspects,providing theoretical support for the future Jin opera creation,and at the same time strengthening his own creative abilities.In short,as one of the important local operas,Jin opera is one of the ways in which it inherits and develops the multi-choice and mixed-band orchestration.Jin opera workers need to have the courage to reform and innovate on this long road.Only by this way,the old opera can revive with youthful vigor.