Change Of Chinese Ink Painting

"Change of Chinese ink painting" of the landscape painting field in the Tang dynasty brings profound impacts to Chinese painting history.In the mainstream painting of landscape painting creation,simplicity and briefness replace resplendent and magnificent strong dark green with black and white Chinese ink painting.At that time,this is a type of "anti-painting" tendency.The flowing deformation of landscape painting lies in the fact that it gradually changes from magnificence to light abstruseness,which is abundant in literati’s philosophy and artistic conception of upholding simple living.This is a change in texture;more profoundly,this is a change in cultural connotation.The development of landscape painting is not changeless.Due to the impacts from historical background,regime,thought restriction and tool material,each dynasty has its own distinctive features.From folk murals and silks to papers,from the vassals of figure paintings to an independent branch,from magnificence to Chinese ink painting works,from realistic writing to artistic conception advocacy,every stage has its development process path.From the independent branch of landscape painting,old and young General Lee,the mainstream landscape painting has experienced a great transformation from "dark green paintings" to "Chinese ink paintings".From the origin of landscape paintings,the ups and downs of dark green landscape paintings to the origin of Chinese ink landscape painting,this paper aims to regard the transformation of the largest form language system of Chinese landscape paintings(dark green landscape painting to ink landscape painting)as the research object through teasing painting history.By investigating the historical background,cultural factor,figure alternation and tool material transformation behind "change of Chinese ink painting",it digs deep enough into seeking the deep reasons behind the"change of Chinese ink painting",attempting to solve the following problems.Under what situations do landscape painting become an independent branch?Why does dark green landscape painting transform into Chinese ink painting?How does it change from paying close attention to nature to advocating inward expression?What guidance do Chinese traditional cultural thoughts contribute to the development of landscape painting?This paper constructs the subject argument on the basis of the above-mentioned ideas,in order to demonstrate the academic proposition of thinking.