The Soprano Aria "Where Beautiful Time" Aria Analysis

Wolfgang Amadeus Mozart,a musical family was born in Austria in 1756,he was a great composer,is one of the main representative figures of classical music.Wrote 22 operas of Mozart’s life,"the marriage of Figaro is one of the typical Italy opera.The opera is mainly about Figaro and Susanna as the representative of the people class rebellion and overcome the nobility of the story.The spirit of violence against feudalism was extolled.The opera the story fascinating,spin is beautiful,was widely circulated and received by viewers in the birth of more than 200 years.The Aria "where to go,the good times" is the countess’ s classic aria,and classic songs lyric soprano to sing.This piece is a number of arias countess in the character psychological activity and the role of personality characteristics of a song.The countess is a very special role in the play.She is the only character in this typical opera with the image of a positive opera.She yearns for love and marriage,and is the representative of the aristocratic women who dare to hate in the new age.The role of the countess made the opera a dramatic conflict and made the whole opera more plump and three-dimensional.This paper starts with the musical structure features of the aria,"where to go,the wonderful time",from the aspects of the musical structure and mode of the work and the melody characteristics of the works.Then mainly from the four aspects of this work show a detailed analysis,the first is logical stress articulation and language,emphasizing on the singing language pronunciation and accent problems to the attention of the importance of work and expression in singing;the second is the use of a solid support and tone control of breath in singing again;is a passage and phrase level processing is necessary for accurate interpretation of exquisite works;finally,respectively from the two parts of the aria recitative and makes a detailed analysis on emotional processing works.At the end of this paper,the writer mainly analyzes the singer’s handling of the works and the understanding and deduction of his works in the course of learning and singing.