A Research On The Landscape Printmaking In The Seventeen Years Of The Founding Of China

At present,academic circles generally believe that the 17-year period from 1949 to 1966 is an important stage in the development of Chinese printmaking as well as a mature period for Chinese printmaking.During this period,great changes have taken place in China's social environment,political system and people's life.The changes in artists' experiences have opened a new way for the development of printmaking,which has promoted the transformation of printmaking and entered a new era.In printmaking,the emergence of landscape paintings is an important feature of this period.The distinctive content of praise and diversified themes are the main features of the landscape prints at this time.Moreover,most of the thematic landscape prints that eulogize the construction of new China and express the new life of the people.This shows that printmaking no longer reproduces the history of resisting Japan and saving the nation as it did in the past,and shows the sufferings of the people.Or the red revolutionary movement in the liberated areas.In terms of the spiritual needs of the clients served,they mainly replaced propaganda and education with happy feelings and aesthetics.Landscape paintings are more suitable for expressing the new rivers and mountains after the founding of the people's Republic of China,and the new weather can arouse the warm feelings of the new builders.This paper selects the seventeen years from the founding of the people's Republic of China to the "Cultural Revolution" as the research background,takes the representative landscape printmaking authors and works as the research object,and starts with the characteristics of the landscape printmaking times,and clarifies the reasons for its flourishing trend.This paper selects the seventeen years from the founding of the people's Republic of China to the "Cultural Revolution" as the research background,takes the representative landscape printmaking authors and works as the research object,and starts with the characteristics of the landscape printmaking times,and clarifies the reasons for its flourishing trend.The main content of this paper can be divided into the following parts:first,under the artistic characteristics of the theme of landscape printmaking and the new socialist life,try to classify and analyze the representative works.The development of landscape printmaking in this period showed a vigorous trend,the people's aesthetic needs under the influence of the society,the government's literary and artistic policy and discussion,the change of the tone of print creation Noumenon,Finally,it explains that the creation of landscape printmaking becomes more mature,which has a profound influence on the Chinese print language,and promotes the landscape creation as the main body of the development of landscape printmaking,as well as the reasons for the artists themselves to sum up and generalize the reasons for promoting the development of landscape printmaking.The prosperity and development of regional printmaking groups and the formation of late style prints.