Research On The Pattern Of "Follow-up Shot +Interview" About Documentary

In the history of the development of the world documentary film,"Direct Cinema" and "Cinema Verite" can be said to be two creative schools.It can be said that they are two kinds of creative ideas,and can also be regarded as two kinds of creative methods.They have had a great influence on the development of documentary creation in the new era of China,bringing about the enlightenment of creative ideas and aesthetic concepts.However,in the context of the new media and consumer culture,mechanically adhering to the concept and method of creating "Direct Cinema" or "Cinema Verite" all fall into different practical and predicamental situations.At the same time,the “Follow-up shot +Interview ”model is a new model that can be regarded as a fusion of the concepts and methods of "Direct Cinnema" and "Cinema Verite",and has quietly become a preferred mode of creation in the documentary industry.The so-called “Follow-up shot + Interview ” is a completely innovative term and concept.The “follow-up shot ”here is not exactly the follow-up of the traditional "Direct Cinema" blindly obsessed with mechanical intervention.Instead,it emphasizes selective follow-up shooting under the theme of realism,emphasizing the sense of reality in life;the“interview” “here is not the original " Cinema Verite." The kind of interviews in the sense of sociological research,but the type of interviews centered around the content of life and character stories.Its purpose is to enrich the contents of life stories and stereotype characters.The emergence of a new model of “Follow-up shot + Interview” is not only a breakthrough in the reality of the Chinese documentary,but also an era of documentary creation ideas and methods.It is also a documentary for the development of contemporary documentaries,especially for the promotion of social and humanistic themes.The success and dissemination of results are of great significance.The main contents of this paper and the structure of the thesis are as follows: The first chapter mainly discusses the respective shortcomings of the contemporary development of "Direct Cinemas" and "Cinema Verite",and focuses on the huge loss of the realistic possibilities of the "Direct Cinema" approach of complete "top-down views".Thecommercial effect and dissemination effect are unsustainable;secondly,the author discusses the classic “real movie” creation method because of the lack of situational story that affects the effect of communication.The second chapter mainly discusses the innovation strategy of the follow-beat + interview model.Firstly,it discusses the characteristics of each other’s learning from each other,that is,it analyzes and explores the“ follow-up shooting” and “interview” under the “Follow-up shot + Interview ”model.followed by a discussion of the model’s recessive interviewing strategies and practices and explicit interviewing strategies and practices.The third chapter mainly discusses the communication effect of the “Follow-up shot + Interview ” model,which is mainly divided into three levels: action and voice cooperation: communication and communication;technology and knowledge fusion: dissemination of knowledge;story and self-evaluation;communication and reasoning.