The Apply Of Coloratura Skills In Chinese Works

Flower cavity is a kind of melodious and melodious singing style in Western classical vocal music.Our country's indigenous singing voices have a narrow range of sounds and sweet timbre,but their flexibility and fluidity are not strong during singing.In the current national singing,western chanting techniques were added on the basis of preserving the original ethnic features,making contemporary singing more contemporary and artistic.The technique of flower cavity has gained lots of reference and integration in the process of the adaptation and innovation of Chinese national vocal music works.One of its classic works is the Mayila Variation.This article combines the experience of studying vocal music for many years and hopes to give later learners a lesson in the singing of songs and the emotional expression of songs.In the second creation of the work,the singer must not only have a solid singing skill,but also have an excellent artistic accomplishment and a profound cultural heritage.In the second creation of the song,we must start with character traits of the characters in the works to create a lively character image.Different styles of works express different emotions,and they must combine the music background,creative environment,and cultural heritage to show the connotation of the work.In the singing process,we must pay attention to the emotional processing of songs.We must not imitate others stereotyped.We must interpret the works based on our own understanding.We must add emotional expression to the songs while attaching importance to singing skills.Sound expression.When singing,we must keep in touch with the emotions that the work wants to convey to the audience.This makes the performance of the vocal song more appealing,thus giving the work a new color and making the audience more aware of the work.This article combines theoretical knowledge and practical accumulation in the process of self-learning vocal music over many years,from the aspect of the origin,development of the flower cavity,issues needing attention in singing and so on,to the specific application of Hua Qiang's “Mira Variations”in Chinese works and the music of the works.Analysis,research and analysis of his own singing experience,and some understanding of vocal performances.I hope to provide some valuable references for later singers on the art of singing and performing songs.This paper is divided into seven parts.The introduction explains the significance ofthe topic,the purpose of the study,and the research methods.The first chapter introduces the composer's profile,creation overview,musical characteristics of the“Mayila Variations” and the contrast with the national song "Mira" before the adaptation;the second chapter introduces the origin and development of the coloratura;the third chapter describes several singing techniques of the coloratura and the coloratura skills used in the "Mayila Variations".The fourth chapter presents the handling of songs in teaching practice from the aspects of grasping of coloratura skills,the issue of singing in singing,and emotional input in singing;The fifth chapter reveals the author's own vocal learning path,with the experiences from the stage performance "hard power" and "soft power" to elaborate on the point of view from the three aspects.The final conclusion is a full summary of the paper.