An Analysis Of The Singing Practice Of "Yi Mo Xi Yang" And "Feng Xiao Se" In The Opera "Shang Shi"

Opera "Shang Shi",adapted from Lu Xun’s novel of the same name,is composed by the great "people’s musician",Mr.Shi Guangnan,and written by Wang Quan and Han Wei.It is of great significance in the history of Chinese opera.In the selection of musical materials,the traditional Chinese folk songs are chosen as the musical materials,which have the flavor of folk songs.In structure,the elements of the Chinese people are incorporated on the basis of the western music forms.It is the first lyricism,which is composed of a combination of Chinese and western music.The lyricism of melody is strong,different vocal music themes are adopted,and the description of the characters’ psychology is presented in detail,which is the first lyric.Psychological opera,which has innovative significance in the structure of musical drama,the uniqueness of character setting,and the development of expression of human voice,etc.Through the practice in the concert,this paper analyzes and studies the two passages of the master of the opera," Yi Mo Xi Yang" and "Feng Xiao Se".The writing of this paper begins with the background of the opera,and then with the musical structure of the music.Accompaniment texture,role grasp analysis,and then combined with singing practice,from the role of breath and resonance use,language,emotional grasp analysis of the discussion,through these learning,continuous practice process,It makes oneself grasp the style of the work more accurately,understand and depict the character more deeply,improve the singing skill and the ability to deal with the song continuously,get perfect.