A Comparative Study Of "Sense Of Materialism" And "Empathy Theory"

The paper aims to study two theories: "materialism" in Chinese aesthetics and "empathy theory" in western aesthetics by comparative methods.First of all,from the perspective of the art ontology,we cut into the sense of aesthetics of the material object,interpret and examine the source and the flow of the materialist theory,and then understand and sort out the logic of the formation of the senses in the history.Focus on the "gas",the sense of material that "Yin and Yang","and","Hing","sense" these important concepts,categories.At the same time,based on the development of empathy aesthetics,there is a close relationship between the development of empathy and the concepts of distance,intuition,internal imitation and symbolism.As a result,these many concepts formulate a rich comparability.The comparison between the two mainly analyzes the similarities and differences between the two subjects from the perspective of subject theory.Since empathy means that the subject is the ultimate value of aesthetic appreciation,that is,taking the ego as its main theme,the theory of material feeling says that the situation is forgotten and the two things forget the highest level of aesthetic appreciation and the ultimate goal of the unity of things and me.From a macro perspective,we will also analyze the emergence of the naturalistic view of the East and the emergence and centralization of individualism in the West.The cultural fetus of materialism is the ancient Chinese agricultural society.Its ideological premise and mode of thinking are embodied in the "harmony between man and nature." Empathy is the cultural fetus of Greece and Hebrew civilization.Under its premise of ideology,the fundamental purpose of empathy lies in self-expression and self-expression,which is the same as the two Greek cultures.The cultural and artistic spirits of the two are not only distinct from each other,but also from the same matter.