A Study On The Painting Schema Of Jiri Straka

Contemporary Chinese ink painting practice in the context of globalization generally reflects the orientation of cultural values in the era of image consumption.The construction of ink drawing schema stimulates modern people's consumption and understanding of artistic aesthetic interest.The Experimental Principle of Contemporary Ink Painting is a Multicultural Perspective,highlighting the inner cultural spirit of contemporary Chinese ink painting,and become an important part of the study of the evolution of contemporary ink art.But,the research on the interpenetration of foreign artists involved in Chinese contemporary ink painting is still insufficient,which still need to be sorted out from the academic point of view.This article attempts to use the Czech artist Jiri ink painting as a starting point for research,and then map out the different image representations,Ink painting language modernity and scalability study showed by contemporary Chinese ink painting schemas from different cultural perspectives.This paper conducts a comprehensive study on the establishment of ink paintings,the integration of media materials,and the practice of ink and ink language mainly by research methods such as literature review,artist case studies,and interpretation of works of art.It is divided into the following sections:Part 1.explains the concept of schemata,and outline the diversification process of ink and wash development in contemporary context,and reflect on the development of contemporary ink painting.Part 2.Jiri,as a Czech.discusses the differences in the viewing styles of Chinese and Western paintings,the existence of objects,and the value judgment of media materials in the construction of schema languages in different cultural contexts from the perspective of cross-cultural analysis.Part 3.This chapter mainly discusses the establishment of the thematic system in the construction of the jiri ink painting and the formation and extension of the ink painting concept.Yirui integrates Chinese and Western cultures,and uses Chinese ink and wash as the elements of the picture,highlighting Jiri's unique contemporary vision.The establishment of the thematic system of painting in jirii's works and the interventional study of ink painting language highlights the visual significance of jiri ink paintings.Part 4.It mainly studies the unique schema structure embodied in jiri's“live”painting and the ink painting field constructed by large-scale painting and blank space.Part 5.It mainly studies the possibilities offered by the construction of ink paintings byjiri to the development of contemporary ink painting,and the innovation of jiri in the language of ink and wash,and the revelation of the visual language of contemporary ink painting.