Domestic Art Cinema Research:A Practice About The Institutional Theory Of Art

In recent years,domestic film market made great achievements at the box office,blockbusters emerge one after another,more and more people are beginning to worry about the quality of the film and the overly strong business sense.People call for art styles with obvious styles,novel forms,and high quality.The diversity of film culture needs to be reconstructed.Under the stimulation of the industry,the construction of art cinemas was reopened.As the most obvious area where industry and art intersect,the problems that emerged during the construction of art cinemas cannot be solved by industrial means alone.As an element of the "Institutions of Art" of films,research on art theaters needs to be carried out under the framework of the Institutional Theory of Art.From the "Art world" to the "Institutions of Art",the cultural sociology of post-analytical aesthetics has become increasingly apparent.People have begun to pay attention to the external conditions and social environment in which art is placed.The definition of art seems to be increasingly solid and reliable.The lack of sociological investigation of specific art practice activities exposes the relative inability of the"Institutions of Art" in the discussion.As an "power space" of "institutional"function in movie "Institutions of Art",art cinema is similar to Danto's "museum".The artistic behavior of each element in "art system" occurred here is "artistic"."grant" for"qualification" of a movie.Domestic art cinemas have gradually become the "trend of the prairie fire" from the ""fire of the stars".Art films have been accepted by more and more people as "artworks".The exhibition of curatorial and screening mechanisms in the process of the screening of art films and the appearance of the obscure culture Many external conditions affect the movie as "artwork." Exploring the process of its occurrence has also become a practice of self-certification of the "Institutions of Art".