Their Movies

In today's consumer society,stars have become symbols,appearing on screens,newspapers and billboards.The beautiful faces,charming smiles,signboard movements and stylized costumes of the female stars drive the social and cultural trend of the whole era.Stars are made,not born.The first goddess of Ruan Lingyu in the Republic of China,her eyes,such as lonely stars in the cold night,are called the "sad Dan" of a generation because of the female role played in a lot of hardships."Life is like a play,a joke is like life".Under the screen,the curtain calls on suicide,leaving an image of eternal beauty and sadness in the hearts of the audience.Yang Naimei,who was born rich and rich,learned the way of the Foreign Actress to take a sexy way,and it was the first brilliant star of the Republic of China.Under the screen,she lived in a state of delicacy and beauty.In the west,Audrey Hepburn's "elegant and generous",Marilyn Monroe's "sexy hot" also become their "symbol",as if they were their life.Through watching the existing image data of the "isolated island" in the past 4years,reading relevant newspapers,books,magazines and other historical materials,using the research thinking of "intertextuality",the image of "lonely island" female stars inside and outside the screen is connected to complete the more in-depth study of them.This article is divided into four chapters.The first chapter starts from the macroscopic historical perspective.The first section writes the status of the star of the three film company of the island film.The second section,taking the female narrative of the island film as the incision,inspects the screen image of the female stars in the "island" ancient costume film,and the third section stands in the commercial angle of the film,and develops into the island film industry.The star effect of Cheng's "four famous denier" was analyzed.The second,third chapter is the main part of this article.From a micro historical perspective,the author starts from people and puts the two red female stars of Chen Yunshang and Gu Lanjun into the background of "intertextuality" and presents their two images inside and outside the screen.Through the interaction and interaction between the two images,we can explore the symbolic image constructed after the combination of the two images.In this chapter,the author makesuse of the historical data of their growth and personal psychology,hoping to excavate the relationship between their private personal characteristics and the shaping of the screen characters.Although this combination of psychology and reality is a conjecture,I believe that this method is feasible for the microscopic study of individuals in history.After all,many studies of Gudao film have fallen into a grand political proposition.Female stars are in the passive position of the function of the film industry chain,that is,the performance links on the screen are often manipulated by the director and the script,but lack the active status and power.Their attention in the history of the film is often not as detailed as the film creator(directors).Therefore,I think that if we can use the montage to connect the growth experience of a female star,the image inside the screen,and the image of the screen outside the screen,the three parts can be linked up to the conjecture.We may be able to cross the other information of the lost world and show the possibilities and helplessness of her being molded more stereoscopic.The sense of history shows the fate of small and medium-sized characters in big history.The female stars on the top are only a drop in the ocean.The fourth chapter,the author aims at comprehensive discussion.This paper studies the fate and fate of female stars after "isolated island" and the interaction between fans and female stars in the isolated island.Their lives are like movies.Their fate is like a kaleidoscope of rotation.Their image is a symbol and a history.Taking history as a mirror,studying the female stars of "isolated island",understanding their development,symbolic image and interaction with the fans,this is the original intention of writing the paper by looking back on the symbolic image and movie fan culture of the female stars.