Study On The Flowers And Birds Painting Of Academic Style Aesthetics In The Northern Song Dynasty

The flower and bird painting of Northern Song Dynasty is a model of Chinese ancient painting art.To emphasize realism and impressionism,emphasize meaning and pay attention to reason are the characteristics and manifestations of the Northern and Southern Song Dynasty's flower and bird painting art.They reflect the subjective feelings of people in natural physics and form a unique aesthetic characteristic of refinement,reason and poetry.There is often a hidden internal connection between painting and philosophical thinking in an era.These connections directly determine the formation of the internal psychological structure of the aesthetic characteristics of painting.In the deep thought ideological system of Northern Song Dynasty's flower and bird paintings,the most representative is the "Confucianism" spirit of the axis of the Northern Song philosophical ideology.Neo-Confucianism will inevitably affect the thoughts and creations of Northern Song Dynasty's flower and bird paintings and the majority of portrait artists.Accelerated and sublimated the development of the flower and bird painting in the courtyard.This paper analyzes and explains the special charm of flower and bird paintings in Northern Song Dynasty from the perspective of Neo-Confucianism.An important exploration of the relationship between Confucianism and the Northern Song Dynasty's flower and bird paintings aims to show how Neo-Confucianism influences and further promotes the aesthetic concept of Northern Song Dynasty's flower and bird paintings.In the Northern Song Dynasty,the important concepts of the Five Dynasties' Neo-Confucianism were infiltrated into the flowers and birds paintings.Flower and bird paintings responded to Neo-Confucianism and presented specific scientific ideas,investigates and thoroughly investigates thoroughly,principle one and separated differe,attention meteorologu.which led to the influence of Neo-Confucianism and contributed to the development of the courtyard.The aesthetic connotation of flowers and birds painting:such as the view of contemplation,the concept of emptiness,the expression of the way of expression;the metaphor of human nature cultivated in the brush language;the aesthetic realm of poetry and the artist's understanding of heaven and earth.Through the analysis of this paper,there is an inseparable link between the flower and bird paintings of the Northern Song Dynasty and Neo-Confucianism.Regardless of the influence of Neo-Confucianism on painting and the performance of paintings on Neo-Confucianism,both are indispensable.Without Confucianism,there is no artistic conception of flowers and birds.Without painting Confucianism,it would not have such far-reaching impact.Finally,it was learned that the Northern Song Dynasty flower and bird paintings displayed unique peculiar ideology and imprints of the times.Its aesthetic connotation is the enrichment and practice of Neo-Confucian worldview and methodology,no matter which type of schema is used as carrier for cultivating the nature of the mind.The ultimate goal is to use it to gain insights into "nature."...