A Study Of The Musical Aesthetics Of The Opera Yuanye

The opera "Yuanye" is a classic opera of China.It was adapted from Mr.Cao Yu’s drama"The Yuanye" and was edited by Wan Fang.Jin Xiang composes music,director Li Dachuan,Wan Shanhong plays gold,and Sun Yi plays Qiu Hu.In 1987,it was premiered by the Chinese Song and Dance Theatre at the Beijing Tianqiao Theatre.In 1989,the 3rd International Music Opera Association of Munich awarded the show a special certificate of honor.In 1991,it was invited to perform at the Washington Opera House at the Kennedy Center in the United States.Called "the first Chinese opera to shake the western stage",it has become a landmark work in the history of Chinese opera.This opera uses the Western opera carrier and maintains the national characteristics of China.It has become a research target for many music lovers and scholars.There are many related papers,but there is less research on the aesthetic aspects of Wilderness.This article will From the point of view of music aesthetics,this paper systematically analyzes the field of opera.The full text is divided into four chapters.The first chapter analyzes the background of the opera "Yuanye" from the perspective of music aesthetics.This chapter consists of three parts.The first part introduces how Wilderness came into being in the context of Chinese opera art.The second part is about the cultural background and plot of the "Yuanye" and the depth of the "Yuanye" creation.The third part summarizes the position and aesthetic significance of the opera "The Field" in the development of Chinese opera.The second chapter discusses aesthetics of the Wilderness from four perspectives:artistic beauty of singing,beauty of musical form,aesthetic concept,and tragic beauty.Singing the United States from the combination of the singing mode of the United States and the personal character of the lyrics to analyze and discuss;music form the United States from the vocal performance of the aria,retelling,re-concert,contrast singing,symphonic art to analyze the composer of the music precision In the aspect of aesthetics,it analyzes the fusion and sublimation of Chinese traditional aesthetic concepts in opera "Yuanye" and the overall beauty of Western opera;in the aspect of tragic beauty,it carries out a tragic beauty of the"Yuanye" of opera from different interpretations of tragic beauty in China and abroad.Positioning and analysis of tragic beauty in the opera "Field" in the embodiment.The third chapter starts from the respective music images of the three protagonists in the opera "Yuanye" and uses the specific aria as an example to analyze the application of singing beauty,form beauty,aesthetic concepts,and tragic beauty in the process of shaping the character’s music image.And play an important role,from the perspective of the three protagonists to explore the aesthetic pursuit of the entire opera.The fourth chapter discusses the contemporary value and aesthetic revelation of the opera The Wilderness.The contemporary value of the opera Yuanye will be discussed in terms of its significance to opera creation and the enhancement of national opera self-confidence.The aesthetic implications of the opera "Yuanye" From the perspective of the aesthetic elements of the opera,the author explores the perspectives of the various forms of music on contemporary folk music and the overall beauty in the use of vocal music.From the perspective of music aesthetics,this article analyzes the creation of Yuanye from a multi-perspective perspective on aesthetic composition,character creation,and value inspiration.The study of this article has implications for opera aesthetics and contemporary opera creation.