The Literary Value Of The Raving Spirit Of Late Ming Dynasty

This article relied on the social background of the late Ming period(1573-1644)and the value of the literary madman spirit in the late Ming Dynasty as the object of observation.First,it explored the multi-faceted and in-depth reasons why the mad spirit reached its peak in the late Ming Dynasty,and then selected this period's representative scholars and genres conducted research one by one,in-depth analysis of the unique manifestations of the madman's spirit,trying to grasp its overall style,and finally dissecting the essence of the madman's spirit and exploring its literary value.As the last days of the feudal dynasty,the Ming Dynasty was full of turbulent times.The steady structure of social politics,economy and culture was broken by the historical development.This provided the possibility for the migration of mad spirit from the edge of aesthetics to the center of aesthetic discourse.The spirit has thus reached a peak in the late Ming period.The spirit of madness is not only a natural personality of literati,but also a continuous exploration of consciously breaking the imprisonment.It is also reflected in the literati's creative ideology and creative style.The literati esteem "madness" in text analysis,etc.The connotation and denotation of the spirit of the madman should not be underestimated.These should be the object of study of this article.The main body of the thesis is divided into three parts: 1.The historical evolution and logical advancement of the mad spirit;2.The personality representative of the mad spirit in the late Ming Dynasty;3.The literary influence of the mad spiritThe first chapter begins with the historical origin of the madman's spirit,combs the madness from the semantics to the moral level and then extends to the historical development process of the aesthetic field.It explores the economic,political and cultural reasons why the late mad spirit goes to the discourse center."Crazy" is a state with a pejorative tone.Confucius first gave it a positive meaning.Later,after several historical changes of the dynasties,the "mad spirit" finally entered the aesthetic field as an active aesthetic form.Become a unique spiritual style with rich connotations.The slackening of the political environment in the late Ming period strongly affected the traditional strict ritual order.The emergence of emerging economic types gradually dismantled the feudal social structure.Yang Ming's rebellion in the mind and the advancement of literary groups all provided timely opportunities for the mad spirit to shine.The atmosphere of the environment.The second chapter selects the representative literati and genre of the late Ming mad spirit and separately expounds their respective mad spirits.As a "foreign especially," Li Zhi led the wave of mad spirits.He proposed the "innocence theory" as the literary essence of the mad spirit.The "innocence theory" has influenced a generation of people's literary creation ideas.In his later years,Li Zhi proposed the "Three religions to Confucianism," which is essentially the late life form of the mad spirit.Xu Wei's pathological madness is a strong will that transcends the ethic of everyday life.The madness of pathology lays the physiological foundation of the spirit of Xu Kuang's madman.The madness of his temperament reveals the true nature of the madman,and the madness of the aesthetic brethren bred Xu's uniqueness.Literary style.In the Taizhou School,Wang Xi,Yan Yi,He Xinyin and others all inherited and developed the spirit of madness with their own distinctive slogans.The mad tide of thought of Zen is a trend of thought that is inseparable from the spirit of madness.It also removes obstacles to the way of madness from a certain extent.The third chapter briefly discusses the influence of madman's spirit.The essence of the madman's spirit is first analyzed: the madman's spirit is an unyielding struggle against the paradox of fate,an opposition to traditional aesthetics,and an expression of vitality.This unique spiritual style is reflected in literature,and it has injected fresh blood into literary creation and literary criticism.It meets the anti-rational characteristics in literary and artistic creation and is consistent with the frivolous expression of ecstasy.It emphasizes the pursuit of “truth” in the creation and also caters to the preferences of the emerging citizen class for “fun”.It also shapes a large number of The typical character of a typical character promotes the literature of the late Ming Dynasty to reach its peak.