Woodprint Prints And Textures Of Multi-material Presentation

The creation of a woodblock prints is how to transfer symbols,words or images from the pages that carry it to the paper,or the process of projecting onto the viewer's retina.Imprinting is a prominent feature of woodblock prints.As the main content of the viewing,it differs from other art categories in visual language.The author believes that this kind of language will indirectly have obvious internal or external relations with materials and texture.The process of perfecting the printing mark is the process of woodblock painting creation,which can introduce the importance of the relationship between material,texture and impression.This paper makes a basic analysis of the textures and impressions of the textures and impressions in woodblock prints,emphasizing its importance in the creation.The full text can be divided into three parts according to the logical relationship:The first chapter focuses on the printing marks as the elements of the picture,as well as the characteristics and development of woodblock prints.In the second chapter,through the development of traditional woodblock prints and the development of modern woodblock prints,the texture and materials of the wood prints are analyzed.As described in the "replicative" technology mainly in the lithographs,the attention to the operation of the blade's expression of the spirit of the hemp and contemporary engraving patterns.The third chapter mainly discusses the contemporary printmaking at the end of the powerful visual communication and art ontology new context,and draw lessons from the history of traditional and modern wood engraving "imprint" on the basis of the mark as the concept of language and expression.The fourth chapter,the author analyses the possibility and woodblock prints more material apply,and reference to Mr Xu's thinking "is plural painting",try to provide a "imprint imitation painting" of personal creation mechanism.