Folk Discourse And The "Popularization" Practice Of Chinese Left-wing Poetry In 1930s

The term "civilian" in its broad sense refers to many aspects such as society,economy,philosophy,culture,and so on.From a literary level alone,"civil" points to a more liberal cultural survival as opposed to mainstream ideology.status.The folk discourse originates from the important folk literature resource,which expresses the underlying emotion and carries the people's aspirations.It is another discourse system distinguished from political discourse and elite discourse.As a discourse system,folk discourse has its own characteristics.Both the discourse mode and the expression mode reflect the inherent "local flavor",and they always maintain a natural "blood connection" with the masses.In the context of the revolutionary era,the folk discourse played a good role in this advantage,narrowing the distance between literature and the masses and becoming an exploration approach to the "popularization" practice of left-wing poetry in the 1930s.This article takes the creative practice of the popularization of left-wing poetry in China in the 1930s as the study object,takes the folk discourse as an entry point,and explores the role played by folk discourse in cultivating the "popularization" of the left-wing poetry in the 1930s.It has long been shown that folk discourse has been Ignore and mask the unique value.This article mainly analyzes and researches through the two aspects of the creation of poetry "popularization" of the Chinese Poetry Society under the popularization of left-wing poetry in China in the 1930s and the early poetry creation practice in the Soviet Area and Yanan.The second chapter of the thesis focuses on the practice of creation of the Chinese Poetry Association under the advocacy of "literature popularization" of the League of Leftist Writers.After making the"popularization" route,The Left Coalition of Writers began to actively seek a literary form close to the public,and gradually began to pay attention to the use of folk discourse.The Chinese Poetry Association under the leadership of The Left Coalition of Writers actively practices the theory of popularization in poetry writing.It closely integrates folk discourse and poetry writing.Their poetry creation draws on folks and uses folk songs,minor tunes,drumming,etc.Poetry,the selection of folk elements and folk language into poetry to express the lives of the masses,to convey the voice of the public.Poetry will insist on using folk discourse to transform poetry to realize the "popularization" of poetry.Not only does it fit well with the "popularization of literature and art" movement of the League of Leftist Writers,but it also provides a beneficial experience for the "popularization" of poetry in a special era context.explore.Apart from focusing on the relevant creative activities of the poetry group of the Chinese Poetry Society,this chapter also pays attention to the poet's creative transformation under the influence of the "popularization" of the poetry.In the last section of this chapter,Mu Mutian's creative transformation was used as a case study.He contrasted Mu Mutian's early symbolist poetry with the later "popularized" poetry.He focused on exploring "popularized" ideological trends and folk discourses for poet's creative transformation.The impact.The third chapter of this paper mainly expounds the practice of poetry writing under the"popularization" movement of the poetry of the Soviet Area-Yan'an.The Revolutionary Base in the Soviet Area and the "popularization" practice of Yan'an early poetry have a continuous relationship.The Soviet Region is mainly composed of red songs.These songs' creations absorb Hakka folk songs and the local popular minors and songs.They are widely circulated among the people.After the Red Army came to Yan'an after a long march,the poetry "popularization" was based on the red songs of the Soviet Area.Not only does it require closeness to the public in the form of expression of poetry,it also requires that the main body of creation should be integrated into the public.The strokes of poetry must be deep in the people.This is followed by the Chinese Poetry Association.Once again,the folk discourse is combined with the"popularization" of poetry.When the war of resistance needs to use poetry to inspire the masses,mobilize the masses,and organize the masses,taking legal discourse becomes the only shortcut,to a certain extent.It can also resolve the gap between the form of language and the existence of the new poetry.Yan'an's early"popular" movement of poetry was literary and politically demanding.Whether it was the poet's sense of mission or the search for a new outlet for self-creation,the cultural elites from all walks of life went to Yan'an.They consciously gave up their previous artistic pursuits and aesthetic claims,and sought to transform themselves in the practice of "popularization" of poetry.This chapter chooses He Qifang's poetic creation transformation as a research perspective.Through the exploration of the reasons for poetry transformation,the change of language style of poetry writing,and the change of object of poetry,this paper expounds the "mass" movement of early Yan'an poetry and folk discourse to the poet.The impact of the creative transformation.The creation and practice of the Chinese Poetry Society was directly influenced and guided by the theory of "popularization" of the left wing,while the popularization of the poetry "popularization" theory in the early period of the Soviet Area-Yan'an was the development and continuation of the left-wing"popularization" theory.Both provide theoretical and practical preparations.In addition to these two aspects,this article also supplements the case study of the corresponding poet's creative transformation and explains the impact and significance of folk discourse on the "popularization" of the left-wing poetry in the 1930s.