A Study On The Phonology Of Huagu Drama In Mianyang

Huagu drama in Mianyang,original named"huagu drama in Tianmian"、"huagu drama in Jingzhou".It is a local drama which is emerged and developmented in Jianghan plain.For hundreds of years.it has experienced four stages,the pastoral period,the grassland period,the string period,and the peak period.lt is music include four main tone,Gaoqiang,Qishui,Siping,Daluo and nearly 100 minor tunes.The tone is very rich and with gruinous local chai.acteristic,local flavor.It reflects farmers’ yearning for a better life,pursuit of justice.lt is loved deeply by the audience.This article is mainly to Sstudy the rhyme of huagu drama in Mianyang.First of all,comparing pronunciation system of huagu drama in Mianyang with middle Chinese phonology and Xiantao dialect.Discussing the development and the change of pronunciation from the perspective of diachronic and synchronic.Secondly,analyze phonological features of huagu drama in Mianyang,including pentameter and rhyme.And analyze the stage phonology of the classic selection of "Standing flower wall".At last,explore the relationship between tone and tune in the drama,including the analysis of the single tone and closely tone.Through described,compared and analyzed,this article draws the following conclusions:First of all,although the tone has a strong consistency between huagu drama in Mianyang and Xiantao dialect,there are also subtle differences.Secondly’,huagu cdrama in Mianyang’s tone is in harmony with tune.At last,the development direction of huagu drama in Mianyang is that it is necessary to preserve the characteristics of dialects and reach people,also make appropriate changes in the fundamental situation,in order to push huagu drama in Mianyang to a larger stage.