Study On The Unity Of The Sleeve Dance In The Pre-Qin Period And The Han Dynasty

The sleeve dance is one of the representative forms of dance in the history of Chinese ancient dance.It is also a chapter that can not be ignored for the ancient Chinese dance,even for the whole Chinese history of civilization over five thousand years.'Long sleeve to dance,much money to trade',the sleeve dance originates from The Human Dance in The Six Small Dance in Zhou Dynasty.Numerous and different kinds of the unearthed cultural relics and data displays that the sleeve dance came into the basic form of performance in pre-Qin Period,which developed mature in Han Dynasty.Han Dynasty was the peak period of the development of the sleeve dance.At this time,the form of the sleeve dance was more abundant,and it was also one of the most distinctive dances in Han Dynasty.The thesis takes the sleeve dance in pre-Qin Period and Han Dynasty as the research object.Through the comparison and analysis of the documents,images and unearthed cultural relics,the thesis demonstrates the unity of the sleeve dance in pre-Qin Period and Han Dynasty in the historical objective factors,the subjective factors and the functions of the dance.The thesis is divided into three parts:Introduction,Theory and Conclusion.Introduction explains the selection of the title,research status,research significance and research methods of the thesis.The first and second chapters of Theory comb the origin of the dance sleeve in pre-Qin Period and Han Dynasty,the identity of the dancer,the posture of dance,the clothes,the field and form of the performance and its music.The third chapter is important and it shows the innovation of the thesis.Through the current research status,the study of the sleeve dance in pre-Qin Period and Han Dynasty mainly focuses on the single study of a certain period,and the research on the unity of the two is temporarily vacant.This chapter starts with the unity of the sleeve dance in pre-Qin Period and Han Dynasty.First of all,the unity of dance sleeve in pre-Qin Period and Han Dynasty is demonstrated from three aspects,namely the same purpose of the political system,the same nature of the economic system and the same ideological and cultural influence.Secondly,according to the origin of the two,the identity of dancers and the composition of the elements,the unity of the two dances' subjective factors is discussed.Finally,the unity of the sleeve dance's social function and artistic function in pre-Qin Period and Han Dynasty is demonstrated.In Conclusion,the author puts forwards the suggestion and methods for the application of the value of the integration of the sleeve dance in pre-Qin Period and Han Dynasty.