Formal Representation Of Chinese Symbolism In 20s And 30s Twentieth Century

Chen duxiu,li dazhao has a "literary revolution",after entering a new period Chinese literature development,all kinds of style on the thought content,language,style and way of performance is very different with the traditional Chinese literature.Among them,the dramatic change of poetry,poetry rose and began to replace traditional vernacular poetry GeLvTi classical Chinese poetry,introduced from the western poetic theory began to replace the traditional Chinese poetic theory,as the expansion of Chinese new poetry in the ideological content and the form of updating the main theoretical guidance.The first new Chinese poetry has three disadvantages:one is that it is not independent in style,and writing poems is like writing.Second,language is not implicit,and poetry is like speech.Third,the form is not perfect,poetry is not aesthetic.In order to solve these three problems,various schools of poetics,under the guidance of different poetics theories,conduct their own theoretical exploration and practice of poetry creation.In the 1920s and 1930s,Chinese symbolist poetics gradually developed the Chinese symbolist poetics theory by transplanting and reforming the French symbolist poetics theory.On the ills of the Chinese new poetry mainly lies in the form of updates,so although French symbolism poetics theory of poetry ideological content and the form has a subtle,China's theory of symbolism poets transplantation and creating emphasis lies in the form of poetry.This article try to 20 or 30 s of the 20th century Chinese symbolism poetry,combing China symbolism poets in China symbolism poetry form theory exploration and poetry creation practice,to meet the development of Chinese symbolism poetry form update process,so as to initiate somewhat to research of Chinese symbolism poetry as a whole.The study period is 20 to 30 s of the 20th century,involving the poet is a larger achievement in Chinese symbolism poetry of the six,create a list he,create social mu mu-tian,wang qing,Feng Naichao and China symbolism alone bimodal dai,liang zongdai.The content of this paper is divided into five parts.The first chapter,first of all,through a simple theory,this paper introduces the basic information of the French symbolism poetics theory,and the new Chinese poetic introduced the reason and purpose of the French symbolism poetics theory,China's new poetic see France symbolism poetics theory on poetry form significance,is to solve Chinese new poetry in form of shallow weak and representation.The second chapter comb China symbolism poetics theory for the French symbolism poetics theory of migration and transformation process,the exploration of six poet can be divided into three stages,respectively is he mechanical imitation stage,create social organic phase and three colleagues with dai liang zongdai mature application stage,the expansion of its content and form of the update on experienced a gradually mature process.The third chapter through the Chinese symbolism poetry typical text,to explore the Chinese symbolism poet in the poetry creation of form,poetry creation practice and theory claims that contrast,clarity from naive to mature development process.The fifth part is the conclusion,through the creation of theory and explore,can find Chinese symbolism poets in the 20th century 20 or 30 s to the construction of Chinese new poetry,the theme content and form,especially on the form,has experienced a difficult development process,achievements has important reference meaning for the development of Chinese new poetry.