A Research On Readers' Reception Of The Misty Poetry In The 1960s And 1970s

It's mainly about the reception of misty poetry in the 1960s and 1970s in this paper.It is different from the reception of misty poetry after the 1980s.The main research fields of misty poetry in the sixties and seventies are in "underground and folk".In 1978,the publication of Today founded a world.Before 1978,there was no support for communication of misty poetry,which was spread by manuscripts.After 1978,the dissemination of misty poetry was mainly based on Today.This article studies the reception of misty poetry from the secret reception in folk,and the expansion of space based on Today,and the misty aesthetic choice of the recipients.The first chapter introduces the general reception situation of misty poetry in the sixties and seventies.The first section breaks the historical ambiguity and shade.In sixties and seventies,there were not entirely a time of cultural desolation and ideological decline.Under the surface structure of the past literary history,we will find active thoughts and potential writing in 1960s and 1970s.It was the accumulation in the sixties and seventies that gave breaking out to the misty poetry in the early 1980s.This paper introduces the general situation of the reception of misty poetry in 1960s and 1970s in the section ?.It's exploring the misty poetry's ups and downs,and the reception of misty poetry's "non-mainstream" and "illegality" and the channels of communication and so on.The second chapter is about the reception of misty poetry before the founding of Today.The first section introduced the main transmission channels of misty poetry,including "underground salon" in Beijing,and "educated youth circle" in the country such as "Baiyangdian poetry group".In this period,the reception of misty poetry and other forms of art are often mixed.In the third part of this section,this paper studied this features of misty poetry.In the second section,it introduced the general situation of manuscripts,studied the reasons for the traveling of "educated youth" in the 1960s and 1970s,and discussed the role of "travel" experience.The third chapter discussed the expanding space role of Today in the reception of misty poetry.Today is an important contributor to make misty poetry emerge from"underground" to "surface".There were two systems in Today's editorial department,one is the publishing system,and the other is the promotion system.The first section studied the role of Today's publishing system in broadening the communication channel and opening up the public space outside the the circle of the authoritative poetry.The second section discussed how the promotion system opened the door of the circle of the authoritative poetry.Section III explored the intimate relationship between audience and Today.When publication faced problems such as shortage of funds,Today's readers could lend a hand.This kind of relationship is rarely now.The fourth chapter discussed the aesthetic choice of the audience of misty poetry in the sixties and seventies.The first section discussed the potential reception of the audience after traditional accumulation.Like Guolusheng's poetry,it retained the trace of the traditional form,and combined with the new content.It was not only welcomed by many young intellectuals,but also welcomed by many intellectuals who had classical aesthetic.The second section discussed the receptive field of audience in the enlightenment.The first part studied the role of "internal reference" in establishing audience knowledge structure;The second part studied the relationship between the spread of modernism and the awakening of the audience's ideology.The third section explored the receptive psychology of the audience.Using the theory of "Using and Contentment" discussed the reception of misty poetry,and studied the psychology of the audience who was actively seeking and using information;To explored the effect of psychological reactance to the reception of poetry.