Facing The Trap Of Living

The bottom layer is the last century in 80 s with the implementation of the reform and opening up policy,China's population from rural to urban mobility in the process of accumulation in the city around the vast area,which rely on selling physical living lower workers.The writer is the experiencer and participant of the social reality.With the deepening of the realism literature in the 90 s,a large number of writers turn to the perspective of the literature and form the trend of literature creation.Liu Qingbang is a writer who has grown up from the bottom of the world to write down the life of the people at the bottom,experienced the bottom life he chose to the bottom as the narrative object,with a unique artistic style carved with the underlying human suffering.Deep and lasting attention to the lives of the people at the bottom has won widespread praise.Ask the people at the bottom of the value of the thought and the meaning of life caused by reflections from all walks of life.His novels have revealed the suffering reality of the "Aphasia" groups and their spiritual fission,and also praised the various spiritual qualities of the people at the bottom.He has always described his own experience with realism,and finally constructed a magnificent blueprint for art.The subject of this thesis is divided into three chapters.The first chapter mainly introduces Liu Qingbang's multiple construction of the bottom world,the political and cultural aphasia of the "Aphasia",which makes them become the "silent majority".Liu Qingbang cherish the humanitarian concern for the bottom,use simple language to allow readers to see the bottom of the cold reality of the people.Migrant workers into the city meet the survival of anxiety,it is difficult to integrate into the difficulties encountered on the cultural identity of the city,unable to withstand the temptation of money due to the spirit of the fission of the world have become the most realistic portrayal of the bottom of the world.In the second chapter,the author mainly analyzes the outstanding spiritual quality of the bottom characters in Liu Qingbang's works.Liu Qingbang use pen as a tool to dig deeper into the human nature,found the beauty of humanity and human feelings.With the female characters of kindness and tolerance,the families of the miners in the face of suffering life tough spirit and optimism,the miners who embodied the hard work and dedication,to convey a positive energy to the society,this is the spiritual nourishment of our time.The third chapter mainly analyzes the artistic style of Liu Qingbang's creation,each writer has his art style,and he returns to the bottom of the scene,and insists on the reality of the lower level society with the principle of realism for a long time.".The rich experience of the lower level of life has become a valuable resource for his creation,he will rise to the bottom of his own experience of life experience,the narrative style of the common people to the reader about the underlying story.